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A New York Times Book Review Editors' Choice A Best Book of Fall at The Washington Post, BuzzFeed, BUST, and more "Dark yet sensitive explorations of family and love—of all kinds—from a masterful writer. The women at the centers of these stories are sharp-edged and complicated and irresistible; you won’t be able to look away." —Celeste Ng Bold and unapologetic, Karen Shepard’s Kiss Me Someone is inhabited by women who walk the line between various states: adolescence and adulthood, stability and uncertainty, selfishness and compassion. They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.
What happens when you marry the bad boy-the reckless, irresistible cowboy who steals your heart and whom you should have dumped after the affair? Cole Thompson, a gorgeous ne'er-do-well horse trainer, shocks everyone when he proposes to Hannah Baker, the daughter of a wealthy Southern family. When after a twenty-year marriage filled with infidelity and other secrets, Cole leaves her, it comes as a shock to no one but Hannah. Now, though, there are no longer just two of them to suffer the consequences: caught in the middle is Mattie, the child who was supposed to settle them down and make them better people. This is the story of a relationship and marriage told in reverse, from its fateful end to its magical beginnings. Can a husband, a wife and their ten-year-old pick up the pieces of their broken past and dare to expect something from the future? In the tradition of books like The Horse Whisperer and Cowboys Are my Weakness, Karen Shepard deals with issues of broken trust, and the damage we cause to the ones we love most.
Get ready to see the world of teen influencers they'd never want you to share . . . From the bestselling author of PRETTY LITTLE LIARS Sara Shepard and actress and social media star Lilia Buckingham 'Literally could not put this book down. Absolutely loved it!' Annie LeBlanc Delilah is Internet-famous, in LA and at the start of something incredible. Everything is going to change . . . but not necessarily in the way she imagines. Jasmine is a child star turned media darling. Her selfies practically break Instagram. But if the world knew who Jasmine really was? Cancelled. Fiona is everyone's best friend, always smiling. But on the inside? The girl's a hot mess. If they discovered her secret, it wouldn't just embarrass her: it would ruin her. Scarlet isn't just styled to perfection: she is perfection with a famous boyfriend and an online fanbase devouring her every move. But every perfect thing has a fatal flaw. To everyone clicking, DMing, following and faving, these girls are living the dream; but are they really? The sun is hot in California . . . and someone's going to get burned.
The three generations of Arneaux women have never gotten along. Now they must unite, to decide the fate of their temporary charge, a displaced six-year-old Chinese girl. But to do so, they'll have to come to terms with the lies they have told themselves... "Delicate yet searing...Shepard has ably portrayed how obsession with female beauty can disfigure not only families and individuals, but cultures and governments." (New York Times Book Review) "Intricate and intriguing." (New York Daily News) "A bravura performance." (Rosellen Brown) "Plainspoken and direct, yet rich in complexities, the story...raises a host of compelling questions about heritage and family, and more than a few about contemporary art." (Publishers Weekly) "An exhilarating debut." (Margot Livesey) "Not since Virginia Woolf have the snares and scars of familial relationships been rendered with such brilliance." (Ron Hansen)
A unique, candid and intimate survey of the life and work of 12 of our most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O'Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman and Witi Ihimaera. Constructed as Q&As with experienced oral historian Deborah Shepard, they offer a marvellous insight into their careers. As a group they are now the 'elders' of New Zealand literature; they forged the path for the current generation. Together the authors trace their publishing and literary history from 1959 to 2018, through what might now be viewed as a golden era of publishing into the more unsettled climate of today. Th...
Now in paperback, an irresistible gift for dog lovers: poems from the dogs' point of view, written by the well known writers and poets who love them. List of contributors: Edward Albee, Jennifer Allen, Danny Anderson, Lynda Barry, Rick Bass, Charles Baxter, Robert Benson, Roy Blount, Jr., Ron Carlson, Jill Ciment, Bernard Cooper, Stephen Dobyns, Mark Doty, Stephen Dunn, Anderson Ferrell, Amy Gerstler, Matthew Graham, Ron Hansen, Brooks Haxton, Cynthia Heimel, Amy Hempel, Noy Hollan, Andrew Hudgins, John Irving, Denis Johnson, R.S. Jones, Walter Kirn, Sheila Kohler, Maxine Kumin, Natalie Kusz, Anne Lamott, Gordon Lish, Ralph Lombreglia, Merrill Markoe, Pearson Marx, Erin McGraw, Heather McHugh, Arthur Miller, George Minot, Susan Minot, Honor Moore, Mary Morris, Alicia Muñoz, Elise Paschen, Padgett Powell, Wyatt Prunty, Lawrence Raab, Mark Richard, John Rybicki, Jeanne Schinto, Bob Shacochis, Jim Shepard, Karen Shepard, Lee Smith, Ben Sonnenberg, Kate Clark Spencer, Gerald Stern, Terese Svoboda, William Tester, Abigail Thomas, Lily Tuck, Sidney Wade, Kathryn Walker, William Wegman
Longlisted for the 2013 National Book Award for Fiction Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls—teenagers Helen and Dossie—run wild while their only brother, Charlie, goes off to train for war. The children’s Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short. An unforgettable portrait of one family’s journey through the second half of the twentieth century, Elizabeth Graver’s The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us.
A fantastic writer - compassionate, funny and fearless' George Saunders 'One of the US's finest writers' according to Joshua Ferris, Jim Shepard now delivers a new collection that spans borders and centuries with unrivalled mastery. These ten stories ring with voices as diverse as those belonging to Arctic explorers in history's most nightmarish expedition, the Montgolfier brothers competing to be the first man to fly, and two American frontierswomen whose passionate connection is severed by jealous husbands and a deadly snowstorm. In each case the personal is the political as these humans, while falling in love or negotiating marital pitfalls or simply coming to terms with their own failings, face the tidal wave of nature's indifference and cruelty. History has swept them from our sympathy; Jim Shepard has reached into the past and sought them out. In his first collection to be published in the UK, this celebrated master of the short story displays his formidable acuity in imagining these wildly different worlds, and what our various lives feel like in the grip of catastrophe.
Winnie-the-Pooh is always making up Hums and rhymes. Hums are Pooh's way of thinking about important things like honey, or the weather or his friends. 'It isn't Brain, because You Know Why, but it comes to me sometimes, ' says Pooh. Following the success of The Proverbial Pooh, Egmont Books is proud to present a beautiful new edition of The Hums of Pooh. Each has an introduction from A.A. Milne and stage directions, as well as E.H. Shepard's unforgettable illustrations of Winnie-the-Pooh and his friends
Bold and unapologetic, Karen Shepard’s Kiss Me Someone is inhabited by women who walk the line between various states: adolescence and adulthood, stability and uncertainty, selfishness and compassion. They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.