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Photography
This seminal text for photography students identifies key debates in photographic theory, stimulates discussion and evaluation of the critical use of photographic images and ways of seeing. This new edition retains the thematic structure and text features of its predecessors but also expands coverage on photojournalism, digital imaging techniques, race and colonialism. The content is updated with additional international and contemporary examples and images throughout and the inclusion of colour photos. Features of this new edition include: *Key concepts and short biographies of major thinkers *Updated international and contemporary case studies and examples *A full glossary of terms, a comprehensive bibliography *Resource information, including guides to public archives and useful websites
The Qualified Self
How sharing the mundane details of daily life did not start with Facebook, Twitter, and YouTube but with pocket diaries, photo albums, and baby books. Social critiques argue that social media have made us narcissistic, that Facebook, Twitter, Instagram, and YouTube are all vehicles for me-promotion. In The Qualified Self, Lee Humphreys offers a different view. She shows that sharing the mundane details of our lives—what we ate for lunch, where we went on vacation, who dropped in for a visit—didn't begin with mobile devices and social media. People have used media to catalog and share their lives for several centuries. Pocket diaries, photo albums, and baby books are the predigital precur...
Pixilated Practices
Media is a big part of our lives. We see and hear it everywhere. In this book Miller demonstrates how media has taken the place of ritual(s). Our everyday lives are constantly facilitated by media rituals. This media ritual process exists regardless of its content and is a phenomenon that overcomes our subjective experience with a constant flux of representations and seduction. Memory and mind are in a perpetual process of re-imaging, distortion, and violence. Human relationships can be comprised of sheer information sharing from any distance around the globe. The objective world around us is experienced and interpreted through the virtual worlds we are forced to participate in. The dialectic is barred and the flood of media images captures us in the univocal. Persons then understand that truth comes from their singular, isolated, and violated self. Therefore, the body in the real world feels foreign and we feel dissociated and anxious, reaching in a vain attempt for more media to fill and restore our bodily and spiritual needs. Our personhood and everything that we are lie under the influence of this media ritual process.
Qualitative Research Methods for Media Studies
This book introduces the essential qualitative methods used in media research, with an emphasis on integrating theory with practice. Each method is introduced through step-by-step instruction on conducting research and interpreting research findings, alongside in-depth discussions of the historical, cultural, and theoretical context of the particular method and case studies drawn from published scholarship. This text is a comprehensive and accessible introduction to qualitative methods, ideal for media and mass communication research courses.
Joyless Streets
Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question. Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times.
No Caption Needed
A gaunt woman stares into the bleakness of the Great Depression. An exuberant sailor plants a kiss on a nurse in the heart of Times Square. A naked Vietnamese girl runs in terror from a napalm attack. An unarmed man stops a tank in Tiananmen Square. These and a handful of other photographs have become icons of public culture: widely recognized, historically significant, emotionally resonant images that are used repeatedly to negotiate civic identity. But why are these images so powerful? How do they remain meaningful across generations? What do they expose--and what goes unsaid? InNo Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph ...
Media Rituals
Media Rituals rethinks our accepted concepts of ritual behaviour for a media-saturated age. It connects ritual directly with questions of power, government, and surveillance and explores the ritual space which the media construct and where their power is legitimated. Drawing on sociological and anthropological approaches to the study of ritual, Couldry applies the work of theorists such as Durkheim, Bourdieu and Bloch to a number of important media arenas: the public media event; reality TV; Webcam sites; talk shows and docu-soaps; media pilgrimages; the construction of celebrity. In a final chapter, he imagines a different world where the media's ritual power is less, because the possibilities of participation in media production are more evenly shared.
The Collector
For only the fourth time in two centuries, the French have allowed the Mona Lisa to leave the Louvre, this time at the request of the pope, who wants to exhibit it in the Vatican Museums. However, once on display, the Museums’ former curator notices a nearly imperceptible discrepancy in the painting, leading to the discovery that it’s a forgery. Faced with the crisis of losing the most valuable painting in the world, the pope turns to Mauro Bruno and his associates, who’d previously performed discrete investigations for the Vatican. As they begin, Bruno and his colleagues try to understand how the world’s most famous painting, which is kept inside an alarmed environmental enclosure f...
The Riddles of Human Society
Why are all U.S. Presidents white men? Why does technology enchant us? Why do some people commit suicide? Why are sports so important to Americans? How will the Internet change society? Why do people ′do good′? This very teachable and short new introductory text explores these and other ′riddles′ to stir students′ sociological curiosity and promote active learning as the sure path toward mastering the fundamentals of the discipline. "Once again, Pine Forge Press has done us Intro teachers a great service with The Riddles of Human Society. The authors have produced a remarkable text, designing it from the point of view of how students actually acquire sociological tools and imagination when reflecting on their social world. ... It is written as a conversation with readers, yet is organized with learning tools like chapter summaries, discussion questions, and an in-text glossary. It considers a broad range of topics from micro to macro levels, thus uniquely blending the best of a shorter textbook and a monograph. It will serve very well as a main text for introductory sociology courses. I recommend it highly." Stephen Sharkey, Department of Social Science, Alverno College
Nuages romantiques – Des Lumières à la Modernité
La poétisation du nuage au XIXe siècle est l’un des objets privilégiés du romantisme, que les textes réunis dans ce volume considèrent dans toutes ses variations. L’âge romantique est celui du nuage, phénomène céleste qui devient un objet sémiologique complexe prenant très souvent un sens figuré. Avec la métaphorisation et la dématérialisation de ses caractéristiques physiques, le nuage acquiert, dans les différentes poétiques littéraires, le statut d’un symbole et/ou la fonction d’un dispositif textuel qui dévoile des émotions et des sentiments cachés. Les textes littéraires qui modélisent ainsi les nuages leur confèrent souvent une dimension autoréflexive et les utilisent pour mettre en fiction de phantasmes théologiques, oniriques et érotiques.
