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Biblical Figures in the Islamic Faith
Vicchio believes that by understanding how much Muslim tradition overlaps with the biblical traditions of Judaism and Christianity, we might begin to expose a wedge of common ground on which understanding and respect might begin to be built. Vicchio begins with a brief introduction sketching some fundamentals of Muslim history and culture, and clearing away some common misconceptions. His main goal, however, is to give us a detailed look at the treatment of biblical figures in the literature of Islam. The broad range of his research and presentation is startling. He begins with the Qur'an but continues on to the collected writing of the roughly two hundred years after Mohammed (Hadith, Sunna...
Mughal Occidentalism
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history from the 1580s-1630s
The Ottoman Middle East
This collection of articles discusses various political, social, cultural and economic aspects of the Ottoman Middle East. By using various textual and visual documents, produced in the Ottoman Empire, the collection offers new insights into the matrix of life during the long period of Ottoman rule. The different parts of the volume explore the main topics studied by Amnon Cohen: Ottoman Palestine, Egypt and the Fertile Crescent under Ottoman rule, Ottoman Jews and their relations with the surrounding societies and various social aspects of Ottoman societies.
The Courts of the Deccan Sultanates
Illuminates the centrality of courtliness in the political and cultural life of the Deccan in the fifteenth and sixteenth centuries.
Picturing History at the Ottoman Court
The Ottoman court of the late 16th century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvacı demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change.
The Oxford Handbook of the Books of Kings
The Oxford Handbook of the Books of Kings provide a clear and useful introduction to the main aspects and issues pertaining to the scholarly study of Kings. These include textual history (including the linguistic profile), compositional history, literary approaches, key characters, history, important recurring themes, reception history and some contemporary readings.
Arab Painting
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. This second, revised edition includes addenda and corrigenda.
Stories of the Prophets
This volume presents a detailed iconographic and stylistic study of a group of profusely illustrated manuscripts, from 1570's-80's. This group comprises 21 copies of three Persian texts, all entitled Stories of the Prophets. The lives and deeds of mostly biblical figures, considered by Muslims as prophets, are mentioned briefly in the Koran. They are then developed and enlarged upon in the writings of religious scholars, historians, sufi poets, and popular storytellers. The variation of literary details reflect the differences between Muslim religious trends and the debts of Islamic thinking and art, to pre-Islamic traditions and the syncretism of these various traditions with Islamic theology.
