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The Great Disorder
  • Language: en
  • Pages: 1048

The Great Disorder

This book presents a comprehensive study of the most famous and spectacular instance of inflation in modern industrial society--that in Germany during and following World War I. A broad, probing narrative, this book studies inflation as a strategy of social pacification and economic reconstruction and as a mechanism for escaping domestic and international indebtedness. The Great Disorder is a study of German society under the tension of inflation and hyperinflation, and it explores the ways in which Germany's hyperinflation and stabilization were linked to the Great Depression and the rise of National Socialism. This wide-ranging study sets German inflation within the broader issues of maintaining economic stability, social peace, and democracy and thus contributes to the general history of the twentieth century and has important implications for existing and emerging market economies facing the temptation or reality of inflation.

Berlin Alexanderplatz
  • Language: en
  • Pages: 320

Berlin Alexanderplatz

Jelavich examines Alfred Döblin's 1929 novel 'Berlin Alexanderplatz', which questioned the autonomy & coherence of the human personality in the modern metropolis, & traces the discrepancies that radically altered the work when it was adapted for radio & as a motion picture.

Americanization and Anti-Americanism
  • Language: en
  • Pages: 326

Americanization and Anti-Americanism

The ongoing discussions about globalization, American hegemony and September 11 and its aftermath have moved the debate about the export of American culture and cultural anti-Americanism to center stage of world politics. At such a time, it is crucial to understand the process of culture transfer and its effects on local societies and their attitudes toward the United States. This volume presents Germany as a case study of the impact of American culture throughout a period characterized by a totalitarian system, two unusually destructive wars, massive ethnic cleansing, and economic disaster. Drawing on examples from history, culture studies, film, radio, and the arts, the authors explore the...

The Market Makers
  • Language: en
  • Pages: 388

The Market Makers

Inter-war Britain saw a boom in 'mass markets' for consumer durables, such as new suites of furniture, radios, and electrical and gas appliances, while items like refrigerators, telephones, and automobiles didn't reach the mass market until the 1950s. Peter Scott explores these 'market makers' and how US innovations influenced British markets.

Home Fires Burning
  • Language: en
  • Pages: 370

Home Fires Burning

Challenging assumptions about the separation of high politics and everyday life, Belinda Davis uncovers the important influence of the broad civilian populace?particularly poorer women?on German domestic and even military policy during World War I. As B

Moderate Modernity
  • Language: en
  • Pages: 275

Moderate Modernity

Focusing on the fate of a Berlin-based newspaper during the 1920s and 1930s, Moderate Modernity: The Newspaper Tempo and the Transformation of Weimar Democracy chronicles the transformation of a vibrant and liberal society into an oppressive and authoritarian dictatorship. Tempo proclaimed itself as “Germany’s most modern newspaper” and attempted to capture the spirit of Weimar Berlin, giving a voice to a forward-looking generation that had grown up under the Weimar Republic’s new democratic order. The newspaper celebrated modern technology, spectator sports, and American consumer products, constructing an optimistic vision of Germany’s future as a liberal consumer society anchored...

Media a przemiany historyczne
  • Language: pl
  • Pages: 346

Media a przemiany historyczne

Książka wydana wspólnie z Niemieckim Instytutem Historycznym w Warszawie jako 26 tom serii Klio w Niemczech Media od stuleci wpływają na wiedzę i postrzeganie świata, na politykę i kulturę, na sposób spędzania wolnego czasu i komunikację. Frank Bösch przedstawia rozwój i społeczne znaczenie massmediów od czasów nowożytnych do współczesności. Niemieckie i europejskie innowacje łączy ze zjawiskami o zasięgu międzynarodowym. Rozpoczyna od wynalezienia druku w Azji w XI w., następnie pisze o gazetach i czasopismach, by na koniec przejść do filmu, radia, telewizji i internetu. Autor analizuje znaczenie mediów dla przebiegu najważniejszych procesów historycznych, np. reformacji, rewolucji, wojen czy globalizacji. Pokazuje, jaką rolę media pełniły podczas formowania się ruchów społecznych, dyktatur czy demokracji w XX w.

Teaching a Dark Chapter
  • Language: en
  • Pages: 283

Teaching a Dark Chapter

Teaching a Dark Chapter explores how textbook narratives about the Fascist/Nazi past in Italy, East Germany, and West Germany followed relatively calm, undisturbed paths of little change until isolated "flashpoints" catalyzed the educational infrastructure into periods of rapid transformation. Though these flashpoints varied among Italy and the Germanys, they all roughly conformed to a chronological scheme and permanently changed how each "dark past" was represented. Historians have often neglected textbooks as sources in their engagement with the reconstruction of postfascist states and the development of postwar memory culture. But as Teaching a Dark Chapter demonstrates, textbooks yield n...

Radio and the Politics of Sound in Interwar France, 1921-1939
  • Language: en
  • Pages: 311

Radio and the Politics of Sound in Interwar France, 1921-1939

Explores how radio broadcasting and the emerging audio culture transformed the dynamics of French politics during the tumultuous interwar decades.

Made in Europe
  • Language: en
  • Pages: 181

Made in Europe

  • Type: Book
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  • Published: 2016-01-22
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  • Publisher: Routledge

This edited collection studies the production and dissemination of popular music, tourism, cinema, fashion, broadcasting programmes, advertising and coffee in Western Europe in the twentieth century. Focussing on the supply side of popular culture, it addresses a field of study that is neglected in European historiography. Moreover, it provides a theoretical and methodological discussion that takes into account the inherent dynamics of content production and the role of cultural intermediaries in the change of cultural repertoires. Taking key developments in the culture industries in the USA as a point of reference, the book highlights particularities of cultural production in Europe. It identifies a greater autonomy of creatives, stronger influence of critics and a lesser concern with audience research as three characteristics of the production regime in Western Europe. It takes into view the transfer of popular culture across the Atlantic and between European countries and offers new insights into research on the cultural Americanisation of Europe. This book was originally published as a special issue of the European Review of History.