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Intimate biography by Beethoven's pupil and secretary recalls composer's personality, contemporaries, deafness, irascible behavior, etc. Extensively annotated by Beethoven scholar Donald MacArdle. Revised 3rd edition. Editor's Notes. Introduction. Includes 7 illustrations.
This major new study of Beethoven and his music is written as a single, continuous narrative, using a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer integration of life and works than is often achieved. The approach works particularly well for Beethoven for two reasons. Firstly, composition was his central preoccupation for most of his life: 'I live entirely in my music', he once wrote. Secondly, recent study of his large numbers of musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to many new insi...
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An account of the legendary spear which pierced the side of Christ which has been invested with occult powers. It tells the story of the chain of men who possessed the spear, from Herod to Adolf Hitler, and how they sought to change the face of history by wielding its good and evil powers.
The Philosopher's Stone is a collection of case studies in compositional process; not so much about how the music was arrived at through its sketch stages, but more are construction of issues of form as the defining features of a genre, and structure as the individual realization in a particular work. Great musical movements and works are seen as highly creative solutions to problem-solving. The contexts of the works differ considerably. Some were written against the background of a specific precedent or model, as with Mozart's Haydn quartets via Haydn's Op. 33 set. In other cases, as with Beethoven's middle period style, the composer reconsiders a comprehensive range of implications about s...
Beethoven's extraordinary ability to compose great music despite severe health problems, including deafness and depression, has puzzled and inspired. In Diagnosing Genius François Martin Mai looks at the relationship between Beethoven's health and creativity to show how the composer was able to transcend physical and emotional torment to produce some of the most powerful and beautiful music in Western culture.
The Nuremberg trials were a series of military tribunals held after World War II by the Allied forces under international law and the laws of war. The trials were most notable for the prosecution of prominent members of the political, military, judicial, and economic leadership of Nazi Germany, who planned, carried out, or otherwise participated in the Holocaust and other war crimes. The trials were held in Nuremberg, Germany. This volume contains trial proceedings from 8 March 1946 to 23 March 1946.
"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.
With basic assumptions shared and (new) facts evolving over time, Lockwood claims, the Beethoven biographer's role has remained highly personal.
'My compositions bring me in a good deal ... I state my price and they pay.' Beethoven was an inspired composer but he was also a working musician with sound commercial sense. David Wyn Jones's account of Beethoven the man and composer reveals the life of a creative musician in Bonn and Vienna in the late eighteenth and early nineteenth centuries. While paying due regard to the image of Beethoven as one of the most single-minded composers in the history of music, this biography places his work in the context of the musical life of the period. Through an understanding of the changing nature of musical patronage, the private and public concert, the impact of the Napoleonic Wars on culture and society, and the increasing ambition of musical life in the period after the end of the wars, a varied and dynamic picture of Beethoven's musical career emerges.