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This is the first complete biographical and critical study of Karl Philipp Moritz (1756-93), German novelist, teacher, journalist, and philologist. His psychological novel, Anton Reiser, replete with insights into the sociological and psychological life of the time, was one of the most important eighteenth-century German novels. Moritz was in close touch with most of the major intellectual currents in Weimar and Berlin--from aesthetics and linguistics on the one hand to pietistical and mystical movements on the other--and he was a friend of Goethe and of other significant German literary figures as well. His career was a turbulent one, made all the more difficult by his many-sided psychologi...
Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful) (1788). In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism. ...
In Anton Reiser, the critic and educator Karl Philipp Moritz (1756-1793) turned his early life into fiction and, according to his translator Ritchie Robertson, created 'one of the most memorable experiences German literature has to offer'. A masterpiece of emotional extremism and unsparing self-analysis, it tells the story of a gifted outsider driven to near-madness by exclusion from middle-class privilege and academic success. Brought up by members of a mystical protestant sect, apprenticed to a pious but tyrannical tradesman, and humiliated as a charity-pupil at school, Reiser escapes into an obsession with literature and the theatre, discovers a strange underworld of impoverished artisan intellectuals, and undertakes long wanderings in pursuit of a theatrical career.
In 1782 Karl Moritz came to England with little in his purse and "Paradise Lost" in his pocket, which he meant to read in the Land of Milton. He travelled chiefly on foot through several parts of England and described his trip in letters to a friend. Reprint of the 1886 edition.
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