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A Commentary on Books 3 and 4 of Achilles Tatius’ Leucippe and Clitophon
This volume presents a new account, informed by recent scholarship on ancient narrative fiction, of a world that calls to mind the scenes of the Palestrina mosaic, with ships traversing the Nile delta, hippopotamus hunting, religious processions and festivities, and leizurely sightseeing. The commentary argues that the author was most probably an erudite Alexandrian with a polymathic interest in topics as diverse as the arrival of the phoenix in Heliopolis, contemporary art, medical theories of the function of blood in causing psychological imbalances in the young, herbal remedies for poisoning, and the colour of Nile water in glass.
Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.
The First Proofs of the Universal Catalogue of Books on Art
Reprint of the original, first published in 1870.
