Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When We Lie Down, Grasses Grow from Us
Photographic book documenting seven years spent in Delhi, India.
Reconstructing Homes
In the practice of constructing the idea of home and the emotions surrounding it, sensory experiences and materiality intertwine to form layers of memory and affective atmospheres. People in different life stages and situations create continuity and a sense of home by engaging with materiality and objects in their own unique way. Reconstructing Homes takes on a multidisciplinary approach of sensory ethnography, visual methods and autoethnography methodologies to explore affective engagements with materiality in the context of home and the idea of belonging.
Strajk
"As part of the Warsaw Gallery Weekend, Jednostka Gallery will show an individual exhibition by Rafał Milach, which is also the result of the artist’s collaboration with other artists and writers. The installation will include photographs, posters and the premiere book “Strike” published by Jednostka. The exhibition and publication will be accompanied by critical texts by visual culture researchers, journalists and activists (Iwona Kurz, Karolina Gembara, Aleksandra Boćkowska), the cover of the book will be designed by Ola Jasionowska, the graphic designer behind the visual identification of the Women’s Strike (Strajk Kobiet) protest movement and its logo of a red lighting bolt. Th...
Acting with Grotowski
‘Zbigniew Cynkutis’ writings constitute invaluable testimony of his work with Jerzy Grotowski during the ‘theatre of productions’ phase and beyond. Cynkutis’ insights elucidate aspects of the Laboratory Theatre’s praxis and provide a unique perspective on the questions most often asked about Grotowski. Authored by one of the Laboratory Theatre’s most accomplished actors, this book draws on long-term theatre research and deep knowledge of the craft of acting to offer practical advice indispensable to the professional and aspiring actor alike. The volume offers the English-speaking reader an unprecedented richness of primary source material, which sheds new light on the practical...
World Press Photo 10
Publishes the results of the 2010 World Press Photo Contest, convened in Holland under the auspices of the World Press Photo Foundation to choose the finest press photographs of 2009.
Aborto senza frontiere
Lo sguardo dell’autore sulle proteste contro il divieto d’aborto in Polonia non le considera una vicenda essenzialmente polacca e dimostra che lo #StrajkKobiet fa parte di una rinascita globale del movimenti per i diritti attingendo alle sue pratiche organizzative e comunicative, arricchendo simboli e nuovi immaginari. In un mondo globale l’organizzazione delle piazze sperimenta i social media più recenti per aggirare la repressione o sfuggire alle censure. Questo è avvenuto per rivolte con una forte presenza femminile: le vicine Bielorussia e Ucraina fino ai movimenti più lontani delle “Primavere arabe” e delle caceroladas argentine, da Hong Kong a Gezi Park; #OccupyWallStreet,...
Film
None
Vincent Desailly
"Trap" is the language of hip-hop from the southern states, especially from the city of Atlanta. But "trap" is also slang for the place where drug deals are made. And, last but not least, a "trap" is also a snare. All of this collides when the documentary photographer Vincent Desailly sets out to capture the world behind the lyrics in Atlanta. His pictures are witnesses to the feeling of life and the atmosphere that comes from this music. Haunting portraits show dealers, musicians, or simply residents of the city. On display are guns, crime scenes, and tableaux of everyday life. The photographs are enchantingly beautiful and narratively elegant. Each one is full of meaning and history. Thus,...
How to See the World
In recent decades, we have witnessed an explosion in the number of visual images we encounter, as our lives have become increasingly saturated with screens. From Google Images to Instagram, video games to installation art, this transformation is confusing, liberating and worrying all at once, since observing the new visuality of culture is not the same as understanding it. Nicholas Mirzoeff is a leading figure in the field of visual culture, which aims to make sense of this extraordinary explosion of visual experiences. As Mirzoeff reminds us, this is not the first visual revolution; the 19th century saw the invention of film, photography and x-rays, and the development of maps, microscopes and telescopes made the 17th century an era of visual discovery. But the sheer quantity of images produced on the internet today has no parallels. In the first book to define visual culture for the general reader, Mirzoeff draws on art history, theory and everyday experience to provide an engaging and accessible overview of how visual materials shape and define our lives.
Images in Spite of All
Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.
