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In examining the relationship between the spectacular, iconic and vibrant New York of the musical and the off-screen history and geography of the real city—this book explores how the city shaped the genre and equally how the genre shaped representations of the city. Shearer argues that while the musical was for many years a prime vehicle for the idealization of urban density, the transformation New York underwent after World War II constituted a major challenge to its representation. Including analysis of 42nd Street, Swing Time, Cover Girl, On the Town, The Band Wagon, Guys and Dolls, West Side Story and many other classic and little-known musicals—this book is an innovative study of the relationship between cinema and urban space.
Harriet is eleven, going on thirty. Her mixed media paintings are a source of wonder to her younger brother, Irwin, but an unmitigated horror to the panoply of insufficiently grown up grown-ups who surround her. She plans to run away to Algonquin Park, hole up in a cabin like Tom Thomson and paint trees; and so, to fund her escape, she runs errands for the seniors who inhabit the Shangrila, the decrepit apartment building that houses her fractured family. Determined, resourceful, and a little reckless, Harriet tries to navigate the clueless adults around her, dumpster dives for the flotsam and jetsam that fuels her art, and hopes to fathom her complicated feelings for Irwin who suffers from hydrocephalus. On the other hand, Irwin's love for Harriet is not conflicted at all. She's his compass. But when fate intervenes, it's Irwin who must untangle the web of the human heart. Masterful and mordantly funny, Strube is at the top of her considerable form in this deliciously subversive story of love and redemption.
Reproduction of the original: Kate Danton by May Agnes Fleming
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An offer she can't refuse. Kate Blessing is not your typical high school junior. She's a good student who's into guys and the latest designer jeans...and she's also part of the mob. Her father, Bobby Blessing, is the head of the family, and her mom, Amanda, is the brains behind the operation. Kate may not partake in the "family business," but she knows what goes down. She's proud of her family -- and of course, there are plenty of perks: her indoor pool, Caribbean vacations, expensive haircuts... But when Amanda gets fed up with Bobby's cheating and moves out, someone needs to make decisions, give orders, and keep things running. Kate has no choice but to step into her mother's shoes and prop her dad up. Bobby may be the face of the mob, but it's not long before the princess is running the show.
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