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Katharina SchUtz is a young woman growing up in sixteenth-century Strasbourg. Immersed in the mystique and works-righteousness of medieval Catholicism, Katharina's life is one of curiosity, mischief, sorrow, fear of purgatory, indulgences and all the struggles of a regular teen in a busy home, full of siblings and daily challenges. Living at the time of Martin Luther, the great Reformer, the currents of change and gospel light begin to cast their glow into Katharina's life. Eventually, hungry for a true knowledge of God and a living relationship with him, Katharina finds that God has mercy on those who seek him
Urban gardening and agriculture have become important elements of sustainable urban planning in the context of persistent urbanization amid limited resources. However, a consideration of the cultural-historical dimension has been lacking up to now. The editors present the first comprehensive outline of traditional forms of food production in cities to help preserve this valuable knowledge. On the basis of current research findings, they develop new perspectives and guidelines for recognizing traditional food production systems as an aspect of cultural heritage and for dealing with urban agriculture worldwide.
Flirtations * Round Dance * The Green Cockatoo * The Last Masks * Countess Mizzi * The Vast Domain * Professor Bernhardi The playwright Arthur Schnitzler is best known as the chronicler of fin de siècle Viennese decadence. Round Dance, written in the late 1890s, exposes sexual life in Vienna with such witty frankness that it could not be staged until after the First World War, when it provoked a riot in the theatre and a prosecution for indecency. The other plays in this collection explore love, sexuality, and death in various guises, always with a sharp, non-judgemental awareness of the complexity and mystery of the psyche. Acquainted with Freud and his circle, Schnitzler probes beneath th...
Is civil society’s influence favorable to the evolvement of democratic structures and democratic gender relations? While traditional approaches would answer in the affirmative, the authors highlight the ambivalences. Focusing on women’s organizations in authoritarian and hybrid regimes, they cover the full spectrum of civil society’s possible performance: from its important role in the overcoming of power relations to its reinforcement as backers of government structures or the distribution of antifeminist ideas.
From 1505 to 1689, Russia's tsars chose their wives through an elaborate ritual: the bride-show. The realm's most beautiful young maidens—provided they hailed from the aristocracy—gathered in Moscow, where the tsar's trusted boyars reviewed their medical histories, evaluated their spiritual qualities, noted their physical appearances, and confirmed their virtue. Those who passed muster were presented to the tsar, who inspected the candidates one by one—usually without speaking to any of them—and chose one to be immediately escorted to the Kremlin to prepare for her wedding and new life as the tsar's consort. Alongside accounts of sordid boyar plots against brides, the multiple marria...
Dieser Band beleuchtet in interdisziplinärer Breite die Selbstwahrnehmung einer schreibenden Frau, die sich selbst als Autorin in der Nachfolge Dantes versteht.
Mit "Liebelei" hatte Arthur Schnitzier 1895 seinen ersten großen Bühnenerfolg, in dem er die Form des sonst eher gemütvollen Wiener Volksstücks in ein brisantes sozialpsychologisches Drama zwang: eine scheinhafte Idylle um die Freunde Theodor und Fritz, hinter deren Fassade sich schnell die eigentliche Leere zeigt. Der Text folgt der Erstausgabe von 1896. E-Book mit Seitenzählung der gedruckten Ausgabe: Buch und E-Book können parallel benutzt werden.
Wien um das Jahr 1900: Jede/r ist auf der verzweifelten Suche nach Liebe, nach Erlösung aus der Einsamkeit, nach dem Sinn des (eigenen) Lebens. Niemand erkennt, dass immer neue Liebesbeziehungen keinen Ausweg bieten. - Dieses Drama aus dem Jahr 1895 widmet sich Schnitzlers Lebensthema: der Verbindung zwischen Mann und Frau.