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Medieval German Voices in the 21st Century
As witnessed by a tremendous upsurge in medieval research, academic meetings, innovative interpretive approaches, enrolment numbers, and public interest, Medieval Studies are proving once again to be a vibrant field of investigations both inside and outside of academia. Nevertheless, there is a tendency among colleagues and administrators in the field of Germanistik/German Studies to exclude the earlier period as an exotic and irrelevant subject matter. The contributors to this volume, all of whom teach at North American universities, make a strong case for the paradigmatic function of medieval German literature for the general field of Germanistik, and argue that many of the most recent cha...
The Writings of Medieval Women
"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana "The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
The Lettered Knight
The encounter between knight and science could seem a paradox. It is nonetheless related with the intellectual Renaissance of Twelfth-Century, an essential movement for Western history. The knight is not only fighting in battles, but also moving in sophisticated courts. He is interested on Latin classics and reading, and even on his own poetry. He supports "jongleurs" and minstrels and he likes to have literary conversations with clerics, who try to reform his behaviour, which is often brutal. These lettered warriors, while improving they culture, learn how to repress their own violence and they are initiated to courtesy: selected language, measured gestures, elegance in dress, and manners at table. Their association with women, who are often learned, becomes more gallant. A mental revolution is acting among lay elites, who, in contact with clergy, use their weapons for common welfare. This new conduct is a sign of modernity.
To the Glory of Her Sex
Ferranate (English and comparative literature, Columbia U.) describes medieval women's activities as correspondents, readers, writers, and literary patrons from antiquity through the 14th century. The writings she considers range through virtually every field in historical and literary studies. Annotation copyrighted by Book News, Inc., Portland, OR
The Writings of Medieval Women
Published in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
Crime and Punishment in the Middle Ages and Early Modern Age
All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.
The Voice of the Trobairitz
During the twelfth and thirteenth centuries, southern France witnessed first a burgeoning, then a decline in the poetry of women troubadours—trobairitz. These women stood both within and outside the troubadour tradition, so their work is interesting for social and literary-historical reasons as well as for its aesthetic merit. Many of their twenty-eight surviving poems are love songs in which the trobairitz expresses her desire with a freshness that places her in startling contrast with the speechless, unresponsive lady depicted in the poetry of male troubadours. The Voice of the Trobairitz includes eleven original studies by leading scholars in America and Europe. Approaching the trobairi...
Postcolonial Eyes
Over the past two decades interest in travel has developed significantly. Critical engagement with imperialism, postcolonialism, diasporas, ethnography and cultural anthropology has led to increasingly sophisticated readings of the travel writing genre and a growing acknowledgement of itscomplex history. Postcolonial Eyes is the first study of its kind to identify a specifically Sub-Saharan African lineage within the broader tradition of travel writing. As well as exploring the reasons for Africans' exclusion from the genre, the book examines the important relationship betweenethnicity and travel and identifies the concerns and preoccupations that define African writers' approaches to travel.
Intimate Enemies
The concept of translation has become central to postcolonial theory in recent decades. This volume draws together reflections by translators, authors and academics working across Africa, the Caribbean and the Indian Ocean - areas where the linguistic legacies of French colonial operations are long-lasting and complex.
The Medieval Lyric
He shows the men and women who sang and played in medieval Europe as the heirs of both a Roman and a Germanic lyric tradition, united but differentiated from country to country; he introduces the scholars and musicians from the Byzantine world and the Paris schools, the German courts and Italian city-states, and he brilliantly presents their work, both sacred and profane.
