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Romancing Fascism
Romancing Fascism argues that intellectual responsibility can only be safeguarded if criticism is mobilised both as a poetic and as a critically enlightened endeavour. In this analysis of allegory as a function of modernity, what is made clear is the difficulty, if not impossibility, of definitively determining the genealogical antecedents of intellectual trends, particularly those considered pernicious to clear thinking. Thus Kerr-Koch takes a wide-ranging approach to the analysis of allegory as it is treated by three controversial writers whose works flank the 19th and 20th centuries, the middle and late periods of what we call modernity-Walter Benjamin, Paul de Man and Percy Bysshe Shelley. These three writers have been chosen because they have been at some point recuperated for a theory of 'postmodernism', a term that for some theorists represents liberal free play, and for others represents a lack of rigour and a pernicious corruption of thought.
Postcolonialism and Islam
With a focus on the areas of theory, literature, culture, society and film, this collection of essays examines, questions and broadens the applicability of Postcolonialism and Islam from a multifaceted and cross-disciplinary perspective. Topics covered include the relationship between Postcolonialism and Orientalism, theoretical perspectives on Postcolonialism and Islam, the position of Islam within postcolonial literature, Muslim identity in British and European contexts, and the role of Islam in colonial and postcolonial cinema in Egypt and India. At a time at which Islam continues to be at the centre of increasingly heated and frenzied political and academic deliberations, Postcolonialism and Islam offers a framework around which the debate on Muslims in the modern world can be centred. Transgressing geographical, disciplinary and theoretical boundaries, this book is an invaluable resource for students of Islamic Studies, Cultural Studies, Sociolgy and Literature.
Romancing Fascism
Romancing Fascism argues that intellectual responsibility can only be safeguarded if criticism is mobilised both as a poetic and as a critically enlightened endeavour. In this analysis of allegory as a function of modernity, what is made clear is the difficulty, if not impossibility, of definitively determining the genealogical antecedents of intellectual trends, particularly those considered pernicious to clear thinking. Thus Kerr-Koch takes a wide-ranging approach to the analysis of allegory as it is treated by three controversial writers whose works flank the nineteenth and twentieth centuries, the middle and late periods of what we call modernity—Walter Benjamin, Paul de Man and Percy Bysshe Shelley. These three writers have been chosen because they have been at some point recuperated for a theory of ‘postmodernism', a term that for some theorists represents liberal free play, and for others represents a lack of rigour and a pernicious corruption of thought.
Re-reading Spare Rib
Spare Rib remains one of the most iconic symbols of Second Wave Feminism, its influence far out-living the span of its publication (1972-1993). This collection examines various aspects of the magazine - based on the digitised publication by the British Library in 2015 – in order to explore the ways in which it has influenced society in the twentieth and twenty-first centuries, as well as the lives of individual readers. By analysing several articles from a modern, post-feminist perspective, and using cross-generational interviews of Spare Rib readers and reflective accounts of reading the publication, the significance and endurance of the publication is demonstrated. Written by both academics, experienced researchers and independent scholars alike, the inter-disciplinary nature of the text results in a multi-dimensional reading of Spare Rib suitable for both an academic and general readership interested in cultural and media studies.
Negotiating Borderlines in Four Contemporary Migrant Writers from the Middle East
The book considers the persistent tendency to represent the “Middle East” as a region enclosed in less permeable boundaries. This perspective of enclosure haunts Middle Eastern Studies and is part of ongoing cultural debates on cross-border circulation, currently challenged by spectacular outbursts of violence along resurfacing lines of division. This critical study analyses selected works of four contemporary Anglophone migrant writers from the Middle East (namely, Rabih Alameddine, Diana Abu-Jaber, Laila Halaby and Elif Shafak) to demonstrate that, in spite of the forceful lines that remain after religious, ethnic and political disputes, this region does not exist as a rigidly delimited place in the writing of migrants who reclaim it back from beyond its boundaries. Rather than being a permanent location, it is constructed as a place that flows into other places and is constantly reshaped by a variety of personal stories, migrant trajectories, departures and returns.
Mussolini's Decennale
The year 1932, the tenth anniversary of Mussolini’s March on Rome, was fascism’s Decennale. Commemorating Italian fascism’s seizure of power, the Decennale was celebrated by the regime in a deliberate attempt to radicalize the original movement and develop it into an imperial and racist regime. In Mussolini’s Decennale, Antonio Morena explores a cross-section of Italian culture during the Decennale. Studying literature, speeches, documentaries, films, textbooks, and the 1932 Exhibition, he discusses how the regime, its patrons, and even its critics all appropriated the historical events of 1922 for their political advantage. Positioning the 1932 anniversary celebrations as the crux of the fascist transition from conservatism to totalitarianism, Mussolini’s Decennale broadens our understanding of fascist ideology, cultural politics, and Realpolitik.
Islam and Postcolonial Discourse
Largely, though not exclusively, as a legacy of the 2001 attack on the World Trade Center, Islamic faith has become synonymous in many corners of the media and academia with violence, which many believe to be its primary mode of expression. The absence of a sophisticated recognition of the wide range of Islamic subjectivities within contemporary culture has created a void in which misinterpretations and hostilities thrive. Responding to the growing importance of religion, specifically Islam, as a cultural signifier in the formation of a postcolonial self, this multidisciplinary collection is organized around contested terms such as secularism, Islamopolitics, female identity, and Islamophobia. The overarching goal of the contributors is to facilitate a deeper understanding of the full range of experiences within Islam as well as the figure of the Muslim, thus enabling a new set of questions about religion’s role in shaping postcolonial identity.
Bodies, Noise and Power in Industrial Music
This edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh...
Victorian Muslim
After formally announcing his conversion to Islam in the late 1880s, the Liverpool lawyer William Henry Abdullah Quilliam publicly propagated his new faith and established the first community of Muslim converts in Victorian Britain. Despite decades of relative obscurity following his death, with the resurgence of interest in Muslim heritage in the West since 9/11 Quilliam has achieved iconic status in Britain and beyond as a pivotal figure in the history of Western Islam and Muslim-Christian relations. In this timely book, leading experts of the religion, history and politics of Islam offer new perspectives and shed fresh light on Quilliam's life and work. Through a series of original essays, the authors critically examine Quilliam's influences, philosophy and outlook, the significance of his work for Islam, his position in the Muslim world and his legacy. Collectively, the authors ask pertinent questions about how conversion to Islam was viewed and received historically, and how a zealous convert like Quilliam negotiated his religious and national identities and sought to indigenise Islam in a non-Muslim country.
