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Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.
Nearly 30 million acres of the Northern Forest stretch across New York, Vermont, New Hampshire, and Maine. Within this broad area live roughly a million residents whose lives are intimately associated with the forest ecosystem and whose individual stories are closely linked to the region’s cultural and environmental history. The fourteen engaging essays in Nature and Culture in the Northern Forest effectively explore the relationships among place, work, and community in this complex landscape. Together they serve as a stimulating introduction to the interdisciplinary study of this unique region. Each of the four sections views through a different lens the interconnections between place and...
This book approaches the challenges the Arctic has faced and is facing through a lens of opportunity. Through pinpointed examples from and dealing with the Circumpolar North, the Arctic is depicted as a region where people and peoples have managed to endure despite significant challenges at hand. This book treats the ‘Arctic of disasters’ as an innovated narrative and asks how the ‘disaster pieces’ of Arctic discourse interact with the ability of Arctic peoples, communities and regions to counter disaster, adversity, and doom. While not neglecting the scientifically established challenges associated with climate change and other (potentially) disastrous processes in the north, this book calls for a paradigm shift from perceiving the ‘Arctic of disasters’ to an ‘Arctic of triumph’. Particular attention is therefore given to selected Arctic achievements that underline ‘triumphant’ developments in the north, even when Arctic triumph and disaster intersect.
Nature First combines the Scandinavian approach to creating a relationship with nature (known as friluftsliv) with efforts by Canadian and international educators to adapt this wisdom and apply it to everyday life experiences in the open air. The word friluftsliv literally refers to "free-air life" or outdoor life. A word saturated with values, the concept can permeate deeply and playfully into one’s cultural being and personal psyche, thus influencing the way one perceives and interacts with nature on a daily basis. For centuries, the North American approach has been one of domination and bringing nature under control, in many cases abusing our natural environment in the process. The fril...
After Aboriginal author Alexis Wright’s novel, Carpentaria, won the Miles Franklin Award in 2007, it rapidly achieved the status of a classic. The novel is widely read and studied in Australia, and overseas, and valued for its imaginative power, its epic reach, and its remarkable use of language. Indigenous Transnationalism brings together eight essays by critics from seven different countries, each analysing Alexis Wright’s novel Carpentaria from a distinct national perspective. Taken together, these diverse voices highlight themes from the novel that resonate across cultures and continents: the primacy of the land; the battles that indigenous peoples fight for their language, culture and sovereignty; a concern with the environment and the effects of pollution. At the same time, by comparing the Aboriginal experience to that of other indigenous peoples, they demonstrate the means by which a transnational approach can highlight resistance to, or subversion of, national prejudices.
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Despite centuries of colonization, many Indigenous peoples’ cultures remain distinct in their ancestral territories, even in today’s globalized world. Yet they exist often within countries that hardly recognize their existence. Struggles for political recognition and cultural respect have occurred historically and continue to challenge Native American nations in Montana and Sámi people of northern Scandinavia in their efforts to remain and thrive as who they are as Indigenous peoples. In some ways the Indigenous struggles on the two continents have been different, but in many other ways, they are similar. Mapping Indigenous Presence presents a set of comparative Indigenous studies essay...
Why Sámi Sing is an anthropological inquiry into a singing practice found among the Indigenous Sámi people, living in the northernmost part of Europe. It inquires how the performance of melodies, with or without lyrics, may be a way of altering perception, relating to human and non-human presences, or engaging with the past. According to its practitioners, the Sámi "yoik" is more than a musical repertoire made up by humans: it is a vocal power received from the environment, one that reveals its possibilities with parsimony through practice and experience. Following the propensity of Sámi singers to take melodies seriously and experiment with them, this book establishes a conversation between Indigenous and Western epistemologies and introduces the "yoik" as a way of knowing in its own right, with both convergences and divergences vis-à-vis academic ways of knowing. It will be of particular interest to scholars of anthropology, ethnomusicology, and Indigenous studies. *Honourable Mention - International Council for Traditions of Music and Dance Book Prize 2024*
Representations of indigenous peoples, while never static, have always served the interests of settler-colonialism. Historically, the dominant framing marginalised indigenous practices as legacies of the distant past. Today indigenous approaches are demanded in order for settler-colonialism itself to have a future. Becoming indigenous, we are told, is a necessity if humanity is to survive and cope with the catastrophic changes wrought by modernist excess in the Anthropocene. Becoming Indigenous provides an agenda-setting critique, analysing how and why indigeneity has been reduced to instrumental imaginaries of perseverance and resilience. Indigenous ‘alternatives’ are today central to a...