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Dancing To The Beat Of The Great Green Heart
A collection of essays, speeches, and commentaries on climate change, sustainability, transition towns, and building a movement of hope and power from the passionate, quirky, highly entertaining brain of climate activist, performance artist, and creative roustabout Kathryn Blume.
Looking at Lysistrata
In Aristophanes' Lysistrata, the women of Athens, fed up with the war against Sparta, go on a sex strike and barricade themselves into the acropolis to persuade their husbands to vote against the war. It is the most often performed of all Aristophanes' comedies. It is also, perhaps, the most misunderstood. This collection of essays by eight leading academics - written for sixth-form students and the general public alike - sets the play firmly in its historical and social context, while exploring Aristophanes' purpose in writing it and considering the responses of modern audiences and directors. The collection has been assembled and edited by David Stuttard, whose energetic new performing version of the play is included in this volume. Contributors include: Alan Beale; Edith Hall; Lorna Hardwick; James Morwood; Martin Revermann; James Robson; Alan H. Sommerstein; Michael Walton.
Political and Protest Theatre after 9/11
This collection documents and examines political and protest theatre produced between the 9/11 attacks in 2001 and Obama’s election in 2008 by British and American artists responding to their own governments’ actions and policies during this time. The plays take up topics such as the ongoing wars on terror, Blair’s support of U.S. policies, the flawed intelligence that led to the Iraq war, and illegal detentions and torture at Abu Ghraib. The authors argue that engaged artists faced a radically different sociopolitical context for their work after 9/11 compared to earlier social protest movements and new forms of theatre, and different emotional strategies were necessary to meet the ch...
Text & Presentation, 2012
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international and interdisciplinary Comparative Drama Conference.
Stop the Next War Now
Violence begets violence — so believes the majority of people around the world who have stood up in protest against war. Stop the Next War Now is a reflective look and call to action to end violence, by acclaimed peace activists, experts, and visionaries, including Eve Ensler, Barbara Lee, Arianna Huffington, Janeane Garafalo, Nancy Pelosi, Maxine Hong Kingston, and many more. The book shares expert insight on the issues and powers-that-be that encourage war, including the media, politicians, global militarization, and the pending scarcity of natural resources. A powerful, smart, and passionate work, this book aims to educate and reflect on the effectiveness of peace movement activities and offer hope — through shared ideas, action steps, and checklists — to transform a culture of violence to a culture of peace. How can people humanize each other, ask the authors, and act as responsible global citizens? With vitality, joy, and a dash of CODEPINK-style humor, Stop the Next War Now insists that the time is ripe for the first-ever global movement to put an end to war — and tells readers what they can do about it.
MoveOn's 50 Ways to Love Your Country
With more than 2 million members, MoveOn is at the cutting edge of a new model for political activism. In their first-ever book, they take their message offline with MoveOn's 50 Ways to Love Your Country: How to Find Your Political Voice and Become a Catalyst for Change, in an effort to jumpstart an even broader civic dialogue and inspire all to become involved in our political process. With introductions by Al Gore, Nancy Pelosi, Gail Sheehy, David Fenton, and the MoveOn staff, MoveOn's 50 Ways to Love Your Country is a political call-to-action guide that includes 50 essays from MoveOn members across the country. Each essay is a compelling personal story with action items and resources. Simple ideas are illuminated, such as "Vote, No Matter What," about a dying man's wish to cast a ballot, as are more dynamic actions, such as "Start a Petition," which chronicles a couple's quest to protect endangered wolves in Alaska. For those who feel powerless or overwhelmed, angry or apathetic — or just want to do something, but don't know how — MoveOn's 50 Ways to Love Your Country answers the question so many people are asking, "What can I do?"
Pop Culture Goes to War
Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of and opposition to militarism in American life. It provides a comprehensive overview of the role of toys, video games, music, television and movies in supporting contemporary militarism. Resistance to militarism is highlighted through the traditional mediums of music and movies, and increasingly through the arts, 'culture jamming,' and the satire of The Daily Show, The Onion, The Simpsons, The Colbert Report, and South Park.
Sex and War on the American Stage
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations ...
The Greek Plays (Large Print 16pt)
This chilling passage is from Ellen McLaughlin's new adaptation of The Persians by Aeschylus, the earliest surviving play in Western literature, an elegy for a fallen civi-lization and a warning to its new conqueror. As Margo Jefferson wrote in the New York Times, ''the play is a true classic: we see the present and the future right there, inside the past. And when writers give us a 'new version' (a translation or adaptation) of a classic, they both serve and use it. They serve the playwright's gifts by refusing to simplify. But they can't just imitate. Every age has its own rhythms and drives. The classic must make us feel the new acutely. Ellen McLaughlin serves and uses The Persians with true power and grace.''
