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The first scholarly collection to discuss the intersection of feminism and dramatic theory
"On a dedicated trek to uncover her past and find peace for her future, Jenny finds herself farther away from what she thought was home all along. She tries her best to rely on God as she bobs and weaves through the trying time life presented her. As the search for her past deepens, an unlikely helpmeet offers his assistance. Aaron Miller, a seeming stranger, feels vaguely familiar to Jenny. She shoves her thoughts aside to continue the pursuit without a snag" -- back cover.
Edward Clarke warned in his widely read Sex in Education (1873), "but she could not do all this and retain uninjured health, and a future secure from neuralgia, uterine disease, hysteria, and other derangements of the nervous system." For half a century, ideas such as Dr. Clarke's framed the debate over a woman's place in higher education almost exclusively in terms of her body and her health.".
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historica...
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, re...
After a series of murders of gynaecologists, CID suspects enigmatic triplets, Spencer, Bruce, and William Costello. DS Amy Hornby becomes romantically involved with Spencer, but inwardly suspects he may be a serial killer. Her estranged father, a notorious London crime lord complicates matters by becoming embroiled in a personal vendetta against the brothers. This psychological thriller journeys to London, Gambia, Mauritius, Algarve, the Caribbean, and Mexico, before a thrilling finale in Scotland. Frightening, absorbing, complex, and a guaranteed page-turner, this book will remain with you long after you have read it.
Professor Jenny Spencer is working for Knolls University. After the mysterious death of her mentor and boss, Big Ed. She asked to take his place at a poker group that meets once a month. This group has a secret agenda, keeping watch over what's left of a time machine. Jenny has something the rest of these men want, and they will do anything to get it. Only Yuri is there to help her. He knows that people can't travel through time. He and Jenny struggle with their grief over Big Ed's death. He is there to help her step back from her madness, and he finds himself falling in love. Sitting with her as they watch the fire, to help bring them peace. It is also the tale of Anna Evans who has to choose between the man she loves and saving her America from the ravages of war. Anna fights the growing sickness of her body, as her world begins to fall apart. Both have waited a long time for love to come to them. Both must leave it behind. One for the sake of her sanity, and the other for the sake of her country.
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This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths--that women who dress provocatively invite sexual assault, for example--is well documented, along with equally frequent examples which dispute these myths.