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British Victorian Women's Periodicals
Ledbetter explores themes and patterns of poetry publication in a variety of women's periodicals published throughout the Victorian era using taste, style and the significance of poetry to advance our understanding of women's lives in the nineteenth century.
At Home with the Empire
This pioneering 2006 volume addresses the question of how Britain's empire was lived through everyday practices - in church and chapel, by readers at home, as embodied in sexualities or forms of citizenship, as narrated in histories - from the eighteenth century to the present. Leading historians explore the imperial experience and legacy for those located, physically or imaginatively, 'at home,' from the impact of empire on constructions of womanhood, masculinity and class to its influence in shaping literature, sexuality, visual culture, consumption and history-writing. They assess how people thought imperially, not in the sense of political affiliations for or against empire, but simply assuming it was there, part of the given world that had made them who they were. They also show how empire became a contentious focus of attention at certain moments and in particular ways. This will be essential reading for scholars and students of modern Britain and its empire.
A Victorian Dissenter
This book introduces the reader to Robert Govett (1813–1901), dissenting clergyman and author, who wrote as a scholar of biblical prophecy, primarily on the subject of the “exclusion” of believers in the Millennial Kingdom, an idea of which he conceived. The purpose of the book is threefold: (1) to describe Govett, his life, and his printed work; (2) to analyze Govett’s eschatological beliefs, especially those he originated; and (3) to investigate why a respected theologian in England, who had published over 180 books and tracts, disappeared from dissenting print culture early in the twentieth century. Govett’s doctrine of exclusion was heavily intertwined with most of his writings. It was a topic that he developed throughout his career. Yet, as the center of dispensationalism shifted to America, Govett’s views of the Rapture began to be seen as extreme. The book explains why Govett was eclipsed as the center of the evangelical movement shifted and its theology ossified. Since his death, Govett has been occasionally remembered in scholarship, but with increasing inaccuracies and skepticism. This book seeks to remove the mystery.
The Social Life of Criticism
Contends that gender politics were influential in the early development of literary criticism and the writings of female critics
Amorous Aesthetics
Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets.
Giving Women
Drawing on novels, poetry, periodicals, and political pamphlets, Giving Women examines the literary expression and cultural consequences of gift exchange among English women from the 1820s until the end of the First World War.
How Romantics and Victorians Organized Information
This volume studies an important manuscript form of nineteenth-century England: the commonplace book and its descendent, the scrapbook. It explores the tradition of managing information in nineteenth-century England and excavates notes and drafts of the most important works in Romantic and Victorian literature.
The Juvenile Tradition
'The Juvenile Tradition' covers the late 18th and early 19th century, drawing on the history of childhood and child studies, along with reception study and audience history to recast literary history.
Victorian Poetry and the Culture of Evaluation
Demonstrates how periodicals, newspapers, and annuals influenced Victorian poetry and offers fresh interpretations of central Victorian poets including Tennyson, Barrett Browning, Browning, Arnold, Landon, and Clough.
Fellow Romantics
Beginning with the premise that men and women of the Romantic period were lively interlocutors who participated in many of the same literary traditions and experiments, Fellow Romantics offers an inspired counterpoint to studies that emphasize differences between male and female Romantic-era writers. Linking, among others, Charlotte Smith and William Wordsworth, Felicia Hemans and Percy Bysshe Shelley, the contributors defamiliarize the work of both male and female writers by drawing our attention to frequently neglected aspects of each writer's art.
