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Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture.
An up-to-date synthesis of archaeological discoveries in the upper and middle Yangzi River region of China, including the Three Gorges Dam reservoir zone.
This collection of some of the best contemporary scholarship in ethics and international affairs explores the connection between moral traditions and decision making during and after the Cold War. Each author relates the timeless insights of philosophy and our collective historical experience to the hard choices of our own age. This volume should be of special interest to those working and teaching in international relations, diplomatic history, foreign policy, applied ethics, and related fields.
With archaeological practices being as varied as the cultures they study, little advance has been made to standardize the nomenclature used in the Western scientific world to describe the physical aspect of burial and other forms of body disposal, which would allow researchers to describe and precisely compare these unique and revealing practices. Prominent archaeologist Roderick Sprague finally presents a long-overdue and much-needed logical outline of the variables that should be listed to describe bodies, grave goods, and tombs, establishing standard terms for the archaeologists who excavate these burials. Drawing from examples and terminology in historical archaeology, prehistory, ethnography, and forensic anthropology, this well illustrated, practical, and user-friendly reference text will be indispensable to all researchers in these and related fields.
Hiding in Plain Sight: Women Warriors throughout Time and Space takes the many, long-standing dimensions of military history, including the various modalities of warfare across cultures and periods, and integrates them with the more recent and very substantial contributions of social history, women’s history, black history, feminist theory, LGBTQ community, and other perspectives. By providing an extensive annotated bibliography of the new findings, the work provides the reader with an exciting compilation of new knowledge placed within a longstanding military historical framework, one which provides a broader study and understanding of warfare into which to put the very recent, disparate ...
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
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This comprehensive volume provides teachers and students with broad and stimulating perspectives on Asian history and its place in world and Western history. Essays by over forty leading scholars suggest many new ways of incorporating Asian history, from ancient to modern times, into core curriculum history courses. Now featuring "Suggested Resources for Maps to Be Used in Conjunction with Asia in Western and World History".
Whereas twelfth-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by the artist Gislebertus whose name is inscribed above one of the church doors. These two cults, of sculptor and of saint, form points of departure and arrival for Linda Seidel's study. Legends in Limestone reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life. Legends in Limestone, an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.
Metamorphic Imagery in Ancient Chinese Art and Religion demonstrates that the concept of metamorphism was central to ancient Chinese religious belief and practices from at least the late Neolithic period through the Warring States Period of the Zhou dynasty. Central to the authors' argument is the ubiquitous motif in early Chinese figurative art, the metamorphic power mask. While the motif underwent stylistic variation over time, its formal properties remained stable, underscoring the image’s ongoing religious centrality. It symbolized the metamorphosis, through the phenomenon of death, of royal personages from living humans to deceased ancestors who required worship and sacrificial offeri...