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Aris + Kay + Cole
ARIS + KAY + COLE is a lyrical portrait of three people set in a love triangle. Set in two parts and starring three people, Phillips' cinematic style exudes sophisticated cool and intimacy, weaving an evocative narrative with stunning complexity.
What I Wish I'd Known Before I Got Married
Building a marriage is a lifelong endeavor for both men and women. Most marriage books cover the three C's--communication, compromise, and consideration -- but fail to address many issues critical to a healthy relationship. Family advocate Kay James calls these the "things I wish I had known before I got married": advice on finances, sex, children, and dealing with the extended family. Noting that the apostle Paul exhorted older women not to inspire or counsel younger women, but to teach them how to be wives to their husbands, Kay offers a lifetime's wealth of wisdom for creating an unbreakable marriage relationship.
The Box of Delights; or, When the Wolves were Running
DigiCat Publishing presents to you this special edition of "The Box of Delights; or, When the Wolves were Running" by John Masefield. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
We Have Roots Too!
"Anecdotes, tidbits and documents to provide insight into the lives of members of the Peterson, Freeland, gardner, Snider, Hurt and many other families of Tennessee, Kentucky, Virginia and North Carolina in the 18th, 19th and 20th centuries. Also, data on the Arnold family of Texas, the Ochs family of Tennessee and New York, the Wilder family of Vermont, the Barr family of Pennsylvania, and many others."--Back cover.
On the Line
A Chorus Line, the biggest Broadway hit of its generation, is based on a remarkable series of taped discussions made in the mid 1970s with some of the top “gypsies” (veteran Broadway dancers), many of whom went on to play characters based on themselves in the Tony- and Pulitzer-winning musical. In many ways, On the Line: The Creation of “A Chorus Line” is a continuation of the show itself. In this collective oral history, the 19 original cast members tell how they got involved with the project, how they labored through the months of workshops that shaped it, and what its success has meant for their lives and careers. They paint intimate and frank portraits of co-creators Michael Bennett, Joseph Papp, Ed Kleban – and each other. Originally published in 1990, the book has been updated to continue telling their stories until 2006. Wayne Cilento (“I Can Do That”) has become a Tony-winning choreographer of shows like Wicked and Aida; Kelly Bishop (“Can the adults smoke?”) has become a TV star; Trish Garland has become a California fitness guru, and so forth.
Broadway Musicals, 1943-2004
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
African Americans in Conservative Movements
Providing an expansive view of the making and meaning of African American conservatism, this volume examines the phenomenon in four spheres: the political realm, the academic world, the black church, and grass-roots activism movements. In his analysis of their activities in these realms, Louis Prisock examines the challenges African American conservatives face as they operate within the context of (largely white) conservatism. At the same time that African American conservatives challenge the white conservative movement’s principle of “color blindness,” they are accused of being “racial mascots,” or “tokens” from those outside of it. Prisock unwinds the intricacies of black conservatives’ relationships to both the wider conservative movement and the everyday life experiences of black Americans, showing that they are as vulnerable to the “inescability of race” as any other individual in a racialized America.
