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Maya Imagery, Architecture, and Activity
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
Landscapes of the Itza
It has been fifteen years since a book was devoted to the new theories, paradigms, and investigations of archaeology and art history at Chichen Itza. The volume features five thematic foci: civic space, mythology through art, burials, trade, and landscapes.Due to the widespread awareness of this site, these themes appeal across the regional silos to reach all scholars of ancient America.
Vital Voids
The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole. Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.
Veneration Rites of Curanderismo
A guide to connecting with your ancestors and healing your lineage • Shares traditional veneration rites and practices to connect with your ancestors, including limpia rites, trance journeys, energy work, and sacred gardening • Explores ancestral altar-making practices, sacred tools for altars, and how to invite your ancestors to take an active role in intervening on your behalf • Describes the deification process of esteemed ancestors and how this opens access to special powers for those sharing that ancestor’s lineage Exploring the diverse and dynamic ancestral veneration rites of the ancient Mesoamericans as well as those practiced in contemporary curanderismo, Erika Buenaflor sho...
Maya Kingship
Examining changes to the institution of divine kingship from 750 to 950 CE in the Maya lowland cities, Maya Kingship presents a new way of studying the collapse of that civilization and the transformation of political systems between the Terminal Classic and Postclassic Periods. Leading experts in Maya studies offer insights into the breakdown of kingship regimes, as well as the gradual urban collapse and settlement relocations that followed. The volume illuminates historical factors and actions that led to the end of the institution across kingdoms and the mechanisms that enabled societies to eventually recover with new political structures. Contributors provide archaeological, iconographic...
Unseen Art
In Unseen Art, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power. Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.
Maya Imagery, Architecture, and Activity
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
Motherhood in Antiquity
This edited collection examines concepts and realities of motherhood in the ancient world. The collection uses essays on the Roman Empire, Mesoamerica, the Philippines, Egypt, and India to emphasize the concept of motherhood as a worldwide phenomenon and experience. While covering a wide geographical range, the editors arranged the collection thematically to explore themes including the relationship between the mother, particularly ruling mothers, and children and the mother in real life and legend. Some essays explore related issues, such as adaptation and child custody after divorce in ancient Egypt and the mother in religious culture of late antiquity and the ancient Buddhist Indian world. The contributors utilize a variety of methodologies and approaches including textual analysis and archaeological analysis in addition to traditional historical methodology.
Memory in Fragments
"Here in the US, we're having difficult discussions about who we should monumentalize, the political implications of our statues, or what to do with monuments that no longer reflect our ideals. In a way, this book looks at how the Maya dealt with these and related issues. The author explores how the ancient Maya engaged with their history by using, reusing, altering, and burying stone sculptures. O'Neil shows, for example, how the ancient Maya repurposed stelae that were damaged by their enemies. In some cases, they would break the stelae to signify a change in their status, and bury them with others so that the buried monuments connected with those still standing in specific sacred sites. Infused with agency, the sculptures retained ceremonial meaning. O'Neil explores how those breakages and other, different human interactions, amidst unstable religious, political, and historical contexts, changed the sculptures' "lives.""--
Recent Investigations in the Puuc Region of Yucatán
Papers focus on the history of the Puuc region, Yucatán, incorporating archaeological, architectural, epigraphic, and iconographic studies.
