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An intimate poetic journey through the transitions, both physical and foundational, of choosing single motherhood and creating a queer family.
This highly anticipated second collection boldly addresses female anger, reaching beyond traditional roles for a new place in the world.
Verde Que Te Quiero Verde is an anthology of poems after Federico Garcia Lorca, the great Spanish poet. It is filled with poems in English (with two in Spanish with translation). The authors reflect on Lorca or embody his spirit as they consider what is happening in the world around them right now. Lorca himself was assassinated in 1936 for being who he was--an artist and a rabble-rouser. He refused to conform. Let's refuse with him. Contributors include: Sandra Alcosser, Ralph Angel, Arlene Biala, Lorna Knowles Blake, Jolene Brink, Heather Cahoon, Eduardo Chirinos, Chris Dombrowski, Annie Finch, Henrietta Goodman, Tami Haaland, Katherine Hastings, Claire Hibbs, Bob Kaufman, Adrian Kien, Keetje Kuipers, Romy LeClaire Loran, Antonio Machado, Kaylen Mallard, Tod Marshall, Rachel Mindell, Sharon Olds, Natalie Peeterse, Amy Ratto Parks, Shann Ray, Ryan Scariano, Karin Schalm, Daniel E. Shapiro, Sharma Shields, ML Smoker, Catherine Theis, Nance Van Winkle, Miles Waggener, Ellen Welcker
Poets Kelli Russell Agodon and Annette Spaulding-Convy, co-editors of Crab Creek Review and co-founders of Two Sylvias Press, have collaborated on this ground-breaking literary project. Featuring over 70 poets from a variety of backgrounds and whose ages span from thirteen to ninety-one, Fire on her tongue showcases poems exploring the contemporary woman's experience.
Winner, Montana Book Award-Honor Book, 2019 The River Where You Forgot My Name travels between early 1800s Virginia and Missouri and present-day western Montana, a place where “bats sail the river of dark.” In their crosscutting, the poems in this collection reflect on American progress; technology, exploration, and environment; and the ever-changing landscape at the intersection of wilderness and civilization. Three of the book’s five sections follow poet Corrie Williamson’s experiences while living for five years in western Montana. The remaining sections are persona poems written in the voice of Julia Hancock Clark, wife of William Clark, who she married soon after he returned fro...
Poetry. "In NO SMALL COMFORT we find America's interiors and exteriors, the homes and landscapes messy, chaotic in a way that any of us might recognize. And yet these scenes are imbued with a kind of peaceful acceptance, as well, even as the ground drops out from beneath our feet in these lines and 'fog / becomes an essay / on gravity and fate / whose claims won't hold up.' Some poems we go to for comfort, others to be shaken awake. In Simoneau's new book of quiet lyrics, we find the kind that mark the minutes we hold our breath waiting for the other shoe to drop. 'Semblance, similitude, synchronicity: / everything comes together until what / happens is nothing special, nothing new.' That's ...
An intimate poetic journey through the transitions, both physical and foundational, of choosing single motherhood and creating a queer family.
"Samuel Ace's / Linda Smukler's Meet Me There brings together the mid-1990s lesbian poetry of Linda Smukler with the trans poetics of Samuel Ace, contextualized by a group of short essays by LGBTQIA+ writers reflecting on their encounters with Ace/Smukler's writing"--
One of the New York Times' 20 Books to Read in 2020 "A tonic . . . Splendid . . . A respite . . . A summer cocktail of a book."--Washington Post "Unforgettable . . . Behind her brilliantly witty and uplifting message is a remarkable vulnerability and candor that reminds us that we are not alone in our struggles--and that we can, against all odds, get through them."--Lori Gottlieb, New York Times best-selling author of Maybe You Should Talk to Someone Part memoir and part joyful romp through the fields of imagination, the story behind a beloved pseudonymous Twitter account reveals how a writer deep in grief rebuilt a life worth living. Becoming Duchess Goldblatt is two stories: that of the re...
Winner of the 2013 National Book Award for Poetry * An NPR, Slate, Oregonian, Kansas City Star, Willamette Week, and Publishers Weekly Best Book of the Year * Amazon's Best Book of the Year in Poetry 2013 * In Incarnadine, Mary Szybist restlessly seeks out places where meaning might take on new color. One poem is presented as a diagrammed sentence. Another is an abecedarium made of lines of dialogue spoken by girls overheard while assembling a puzzle. Several poems arrive as a series of Annunciations, while others purport to give an update on Mary, who must finish the dishes before she will open herself to God. One poem appears on the page as spokes radiating from a wheel, or as a sunburst, or as the cycle around which all times and all tenses are alive in this moment. Szybist's formal innovations are matched by her musical lines, by her poetry's insistence on singing as a lure toward the unknowable. Inside these poems is a deep yearning—for love, motherhood, the will to see things as they are and to speak. Beautiful and inventive, Incarnadine is the new collection by one of America's most ambitious poets.