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Music and Ritual
Cultural Writing. Published through Muske, whose purpose is to research, recover, document and conserve the world's ethnomusicological heritage and to disseminate it across a wide audience, the papers in MUSIC AND RITUAL "were first prepared for a panel...at the 2005 annual conference of the British Forum for Ethnomusicology....At the conference, it seemed timely to return to how performance informs, illustrates and interpenetrates ritual, without setting a clear, narrow, agenda in our call for papers...[These papers] explore questions raised by the performance of music and movement, and their interrelationships, in artistic practice beyond the European art and popular music canons"--from the Introduction by Keith Howard.
Songs for "great Leaders"
The first book-length account of North Korean music and dance in any language other than Korean, Songs for "Great Leaders" pulls back the curtain for the first time on this famously reclusive and secretive regime.
The Management of a Student Research Project
The third edition of this popular book has been extensively revised to reflect the changes that have affected student research in higher education in recent years. The ability to carry out research successfully has come to be seen as a 'key transferable skill' required of all higher education students - and The Management of a Student Research Project addresses directly the skill element of this. Furthermore the research process, at all levels, is far more systematized than in the past. The single largest change since the second edition came out in 1996 has been the impact of the World Wide Web on student research. The third edition has been thoroughly rewritten and developed in response to this. In particular, Chapter 4, 'Literature Searching', has been structured around a sample online search. Throughout, the comments and thoughts of readers of previous editions have been taken into account in framing this third edition. Its aims remain the same - to provide a clear, comprehensive and useful guide to students undertaking research projects in order to improve their chances of a successful outcome.
Music as Intangible Cultural Heritage
Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea...
Global Goes Local
In Global Goes Local, international scholars from a variety of disciplinary perspectives examine different forms of popular culture in Asia. Covering topics from pop music in Korea to TV commercials in Malaysia, this collection shows how imported cultural forms can be invested with fresh meaning and transformed by local artists to result in new forms of assertion and resistance that also meet the needs of their particular audiences.
Healing Rhythms: The World of South Korea's East Coast Hereditary Shamans
Still today, in South Korea, many people pay for the services of mudang - the intermediaries of Korea's syncretic folk religion. The majority of mudang are called to the profession by gods; their clients are individuals or small groups and they focus on the use of spirit-power ('possession') for diagnosis and problem-solving. There is, however, a tiny minority of mudang who are born or adopted into the ritual life and who have no spirit-power. These ritualists perform in large family groups, conducting rituals for whole communities. They focus far more on the use of music, dance, and song to provide healing experiences. In this book, Simon Mills provides an in-depth analysis of the East Coas...
The Making of a Musical Canon in Chinese Central Asia
Throughout the course of the twentieth century, as newly formed nations sought ways to develop and formalize their national identity and acquire a range of identifiable national assets, we find new musical canons springing up across the world. But these canons are not arbitrary collections of works imposed on the public by the authorities. Rather they acquire deep resonance and meaning, both as national symbols and as musical repertoires imbued with aesthetic value. This book traces the formation of one such musical canon: the Twelve Muqam, a set of musical suites linked to the Uyghurs, who are one of China's minority nationalities, and culturally Central Asian Muslims.
Ritual and Music of North China
The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a major part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwest China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. The book is accompanied by a 47-minute DVD and will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.
