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Liliane's Balcony
SOUTH BEND
The Keeper
A beautifully illustrated coming-of-age graphic memoir chronicling how sports shaped one young girl’s life and changed women’s history forever. Growing up playing on a top national soccer team in the 1980s, Kelcey Ervick and her teammates didn’t understand the change they represented. Title IX was enacted in 1972 with little fanfare, but to seismic effect; between then and now, girls’ participation in organized sports has exploded more than 1,000 percent. Braiding together personal narrative, pop culture, literature, and history, Ervick tells the story of how her adolescence was shaped by this boom. Ervick also explores her role as a goalkeeper—a position marked by outsider status and observation—and reveals it has drawn some of the most famed writers of our time. With wit and poignant storytelling, The Keeper brings to life forgotten figures who understood the importance of athletics to help women step into their confidence and power—and push for equality. Full of 1980s nostalgia and heart, The Keeper is a celebration of how far we have come and a reminder of how far we have to go.
The Bitter Life of Božena Němcová
SOUTH BEND
Fruit of Knowledge
From Adam and Eve to pussy hats, people have punished, praised, pathologized, and politicized vulvas, vaginas, clitorises, and menstruation. In this graphic nonfiction book, drawn in chunky, punky pen, Swedish cartoonist Liv Strömquist traces how different cultures and traditions have shaped women’s health and beyond. Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection). Like humorists Julie Doucet (Dirty Plotte), Alison Bechdel (Dykes to Watch Out For), and Kate Beaton (Hark! A Vagrant), she uses the comics medium to reveal uncomfortable truths about how far we haven’t come.
Winesburg, Indiana
In the mythical town of Winesburg, Indiana, there lives a cleaning lady who can conjure up the ghost of Billy Sunday, a lascivious holy man with an unusual fetish and a burgeoning flock, a park custodian who collects the scat left by aliens, and a night janitor learning to live with life's mysteries, including the zombies in the cafeteria. Winesburg, Indiana, is a town full of stories of plans made and destroyed, of births and unexpected deaths, of remembered pasts and unexplored presents told to the reader by as interesting a cast of characters as one is likely to find in small town America. Brought to life by a lively group of Indiana writers, Winesburg, Indiana, is a place to discover something of what it means to be alive in our hyperactive century from stories that are deeply human, sometimes melancholy, and often damned funny.
My Name Was Never Frankenstein
You know the names and the stories, but you've never seen them like this before! My Name Was Never Frankenstein: And Other Classic Adventure Tales Reanimated brings your favorite characters back to life in new and exciting escapades. In this inventive collection, a stellar cast of writers uses classic adventure tales as a launch pad for an eclectic mix of prequels, alternate universes, spin-offs, and total reboots. Imagine Ahab is shipwrecked on an island of cannibals, or Mr. Hyde tells his side of the story, or the scarecrow from Oz struggles with the mystery of his existence. By turns wry and haunting, My Name Was Never Frankenstein upends old territory and classic characters to reclaim them for a new generation.
The Islands
Shortlisted for the 2023 Scotiabank Giller Prize Finalist for the PEN/Faulkner Award for Fiction A Hurston Wright Legacy Award Nominee Longlisted for the 2023 New American Voices Award A New York Times Book Review Editors' Choice Powerful stories that explore the legacy of colonialism, and issues of race, immigration, sexual discrimination, and class in the lives of Jamaican women across London, Panama, France, Jamaica, Florida and more The Islands follows the lives of Jamaican women—immigrants or the descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these intern...
Brooding
This collection of more than twenty-five essays, both meditative and formally inventive, considers all kinds of subjects: everyday objects such as keys and hats, plus concepts of time and place; the memoir; writing; the essay itself; and Michael Martone’s friendship with the writers David Foster Wallace, Jonathan Franzen, and Kurt Vonnegut. Throughout the essays, Martone’s style expands with the incorporation of new technological platforms. Several of the pieces were written specifically for online venues, while the essays on the death of Martone’s mother and father were written on Facebook while the events happened. One essay about using new technologies in the classroom was written solely in tweets. Brooding—the book’s title and the title of an essay—draws a parallel between the disappearance of early browsers and the emergence, after seventeen years, of a brood of cicadas. Throughout these essays Martone’s words inhabit spaces where the reconnection to people in the past and the metaphors of electronic memory converge.
A Manual for Nothing
Fiction. Women's Studies. LGBTQIA Studies. A young girl sets out to paint a portrait of her sexual identity and her artistic ability. She wants to be loved. And she wants to be a writer. And she wants to be you. She wants to see you in her. She wants a chorus. A huge chorus balanced on bleachers, like the ones on late night public television every December 22-27th. She wants lots of women and a few men in colorful tunics singing different parts of the same song. She wants to build something with you, about her, for them. They can have it. And when they ask you what it is, tell them it's something sturdy. And something powerful. Complete. Like a dresser. "Jessica Anne's A MANUAL FOR NOTHING i...
Limited Access
A recurrent trope in eighteenth- and nineteenth-century British fiction compares reading to traveling and asserts that the pleasures of novel-reading are similar to the joys of a carriage journey. Kyoko Takanashi points to how these narratives also, however, draw attention to the limits of access often experienced in travel, and she demonstrates the ways in which the realist novel, too, is marked by issues of access both symbolic and material. Limited Access draws on media studies and the history of books and reading to bring to life a history of realism concerned with the inclusivity of readers. Examining works by Henry Fielding, Laurence Sterne, Walter Scott, Charles Dickens, William Makep...
