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'the Writing Occurs As Song'
This book offers a critical overview of the work of the British poet Kelvin Corcoran who, over nearly 30 years, has established a reputation as one of the most significant innovative British lyric poets; 'a giant of the middle generation' as Andrew Duncan has described him.
Collected Poems
This volume collects some 40 years of work; "Kelvin Corcoran is one of the rare true poets. Reading him is a privilege and a pleasure, a new awareness." -David Wevill
For the Greek Spring
Poems.
The Red and Yellow Book
The Red and Yellow Book was published by Textures in 1986, the imprint of Penny Bailey. My recollection is that little from the book had been published elsewhere previously. This was partly because it was written and published very quickly. Its writing was accelerated by the personal events which at first appeared to interrupt my initial ideas about what I thought I was doing. The interruption became the real subject in various guises and my first introduction to such parabasis. The Red and Yellow Book was my second book to be published but in one sense it was the first. It was the first I wrote as a book rather than as a collection of poems. --Kelvin Corcoran
FACING WEST
"Facing West achieves true illuminations of the places and uses of myth. Corcoran's lines balance impressively between sometimes cryptic, aphoristic phrases and an orality encountered in song -and in great poetry. Several poems are almost like screens with a critical or philosophical text behind them; and the verse emerges stranger, and stronger, for the incidents in other books it points us to...The overall edifice in Facing West allows entrances by prose passages -often, apparently, autobiographical; also talismanic insertions from other tongues, sometimes acronyms and street names. Yet, these often fragmentary structures develop as an experiment in narrative across separate sections, they work as a book. And in the end, nothing feels out of place." (Paschalis Nikolaou)
The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage ...
The Language Creatures
Isobel Thrilling was born in Suffolk, and brought up in a mining village in the north-east of England; she read English at Hull University and spent many years as Head of Service for teaching English as a Second Language in a London borough. She first started writing after eye-operations that saved her sight. She is married, with a son, a daughter and two grandchildren. She has been widely published in magazines and newspapers, and her work has been included in many anthologies from publishers such as O.U.P, Longman, Hodder Headline and Macmillan. Her poems have been broadcast on BBC Television, ITV; and BBC Radio 3 and 4. She has won many prizes including those at Bridport, Stroud and York. One of her poems has been set to music by the pianist and composer Philip Martin. Several have been used by a calligrapher living in California. "The Language Creatures" is her fourth collection.
The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage ...
Other
The most significant US anthology of innovative poetries from the UK and Ireland in over 25 years. When most Americans think of contemporary British poetry, they think of such mainstream poets as Ted Hughes, Philip Larkin, and Geoffrey Hill. Yet there is a vibrant, diverse alternative poetry movement in the UK, inspired in large measure by the work of such significant mentors as Basil Bunting and J. H. Prynne. There is growing interest in this work in the United States - as alternative American poetries express increasingly transnational concerns - and yet almost none of it is available here. OTHER is a highly focused anthology bringing together several important strands of English-language poetry that are not otherwise so readily accessible. It includes work by 55 poets, among them Cris Cheek, Brian Coffey, Fred d'Aguiar, Allen Fisher, Ulli Freer, Randolph Healy, Linton Kwesi Johnson, Wendy Mulford, Tom Raworth, Denise Riley, Catherine Walsh; a critical introduction addressing such topics as the interaction of British and American poetic traditions; and brief biographical and bibliographical notes on each poet.
The World Speaking Back
"The World Speaking Back ... To Denise Riley is a transnational and transgenerational poetry anthology to celebrate the work, contribution, and influence of one of our major poets and foremost philosophers, Denise Riley. It includes work from ninety-four authors; each has gifted an individual contribution inspired by Riley's work in some form, be it in the fields of art history, political philosophy, poetics or creative writing; all are offered in tribute to the different spaces and ways in which Riley's work opens new possibilities for its readers. The book has been prepared as a surprise collective gift by the editors, Ágnes Lehóczky and Zoë Skoulding, and publisher, Boiler House Press. Announced to co-incide with her 70th birthday, it will be presented at an event in her honour in April. It is available here now for pre-order for friends and fans who would also like to 'give something back': proceeds will be donated to a charity of Riley's choosing." [présentation de l'éditeur].
