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This innovative textbook recounts famous and infamous incidents of death and disorder in early modern England, including the executions of St. Thomas More and Mary Queen of Scots and the untimely end of thousands of others.
How did English notions of sovereignty, empire and law impact their methods of settlement in the Americas?
Ken Clarke needs no introduction. One of the genuine 'Big Beasts' of the political scene, during his forty-six years as the Member of Parliament for Rushcliffe in Nottinghamshire he has been at the very heart of government under three prime ministers. He is a political obsessive with a personal hinterland, as well known as a Tory Wet with Europhile views as for his love of cricket, Nottingham Forest Football Club and jazz. In Kind of Blue, Clarke charts his remarkable progress from working-class scholarship boy in Nottinghamshire to high political office and the upper echelons of both his party and of government. But Clarke is not a straightforward Conservative politician. His position on th...
Drawing on recent trends in both Atlantic and center-periphery literature, this book examines the relationship between the English crown - monarch, privy council, and ancillary bodies - and its Atlantic colonies under the early Stuart monarchs, James I and Charles I, circa 1603-1642.
A comparative study of how the British managed the expansion of empire in the Atlantic and Indian Ocean.
Freedom Bound is about the origins of modern America - a history of colonizing, work and civic identity from the beginnings of English presence on the mainland until the Civil War. It is a history of migrants and migrations, of colonizers and colonized, of households and servitude and slavery, and of the freedom all craved and some found. Above all it is a history of the law that framed the entire process. Freedom Bound tells how colonies were planted in occupied territories, how they were populated with migrants - free and unfree - to do the work of colonizing and how the newcomers secured possession. It tells of the new civic lives that seemed possible in new commonwealths and of the constraints that kept many from enjoying them. It follows the story long past the end of the eighteenth century until the American Civil War, when - just for a moment - it seemed that freedom might finally be unbound.
From the book: " What is a conversion? The question is like asking, 'What is falling in love?' There is no standard procedure, no fixed time. No Damascus Road experience has been vouchsafed me; I have just stumbled on, like Bunyan's Pilgrim, falling into the Slough of Despond, locked up in Doubting Castle, terrified at passing through the Valley of the Shadow of Death; from time to time, by God's mercy, relieved of my burden of sin, but only, alas, soon to acquire it again." "From my earliest years, there was something going on inside me other than vague aspirations to make a name for myself and a stir in the world: something that led me to feel myself a stranger among strangers in a strange...
The fact that Sydney artist Julian Meagher originally studied medicine might be deduced from the proliferation of body images in his paintings. From classical life drawing and persuasive portraiture studied in Italy and Sydney, Meagher has moved to the depiction of intricate tattoos on the backs, torsos, shoulders, arms and legs of male subjects. This might be seen as a new episode of Pop art with the globalisation of cultural practices originating in the Eastuparticularly Japan, where Meagher has frequently travelled. His Pop imagery also extends to festival scenes and the elevation of supermarket and liquor-shop packages and products to symbols of our times. This is thought-provoking art with a very original and timely edge.
Ireland was England's oldest colony. Making Empire revisits the history of empire in IrelandEDin a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'EDto better understand how it has formed the present, and how it might shape the future. Empire and imperial frameworks, policies, practices, and cultures have shaped the history ofthe world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as processEDand Ireland's role in itEDthrough the lens of early modernity. It covers the two hundred years, between themid-sixteenth century and the mid-eighteenth century, that e...
Until relatively recently, the connection between British imperial history and the history of early America was taken for granted. In recent times, however, early American historiography has begun to suffer from a loss of coherent definition as competing manifestos demand various reorderings of the subject in order to combine time periods and geographical areas in ways that would have previously seemed anomalous. It has also become common place to announce that the history of America is best accounted for in America itself in a three-way melee between "settlers", the indigenous populations, and the forcibly transported African slaves and their creole descendants. The contributions to British...