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The Dostoevsky Encyclopedia
One of the greatest writers of all time, Fyodor Dostoevsky (1821-1881) is best known for such masterpieces as Crime and Punishment and The Brothers Karamazov. His works are widely read and studied today, and he has received much biographical and critical attention. Like many other writers of enduring literature, he engages timeless moral and theological issues. His writings and ideas are complex and reflect the swirling political and intellectual controversies of his time. This encyclopedia is a convenient and comprehensive guide to his life and writings. Through more than 200 alphabetically arranged entries, this reference details his life and career. Each of his fictional works is discusse...
A Writer's Diary
The essential entries from Dostoevsky's complete Diary, called his boldest experiment in literary form, are now available in this abridged edition; it is a uniquely encyclopedic forum of fictional and nonfictional genres. A Writer's Diary began as a column in a literary journal, but by 1876 Dostoevsky was able to bring it out as a complete monthly publication with himself as an editor, publisher, and sole contributor, suspending work on The Brothers Karamazov to do so. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical pre...
Computerworld
For more than 40 years, Computerworld has been the leading source of technology news and information for IT influencers worldwide. Computerworld's award-winning Web site (Computerworld.com), twice-monthly publication, focused conference series and custom research form the hub of the world's largest global IT media network.
A Writer's Diary Volume 2
This is the second volume of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.
A Writer's Diary Volume 1
Winner of the AATSEEL Outstanding Translation Award This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.
The Dostoevsky Encyclopedia
One of the greatest writers of all time, Fyodor Dostoevsky (1821-1881) is best known for such masterpieces as Crime and Punishment and The Brothers Karamazov. Through more than 200 alphabetically arranged entries, this reference details his life and career. Each of his fictional works is discussed, as are his major pieces of journalism.
Dostoevsky as Suicidologist
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
Retelling Dostoyevsky
It identifies motives particular to each novelist for his creative reuse of Dostoyevsky, and explores theoretic approaches to the problem of influence through Mikhail Bakhtin and Harold Bloom."--Jacket.
Borderlands Orientalism or How the Savage Lost his Nobility
In Russia's cultural memory, the Caucasus is a potent point of reference, to which many emotions, images, and stereotypes are attached. The book gives a new reading of the development of Russia's perception of its borderlands and presents a complex picture of the encounter between the Russians and the indigenous population of the Caucasus. The study outlines the history of a region standing in between Russian reveries and Russian imperialism. (Series: Studies on South East Europe, Vol. 19) [Subject: History, Russian Studies, Ethnology]
A Herzen Reader
A Herzen Reader presents in English for the first time one hundred essays and editorials by the radical Russian thinker Alexander Herzen (1812–1870). Herzen wrote most of these pieces for The Bell, a revolutionary newspaper he launched with the poet Nikolai Ogaryov in London in 1857. Smugglers secretly carried copies of The Bell into Russia, where it influenced debates over the emancipation of the serfs and other reforms. With his characteristic irony, Herzen addressed such issues as freedom of speech, a nonviolent path to socialism, and corruption and paranoia at the highest levels of government. He discussed what he saw as the inability of even a liberator like Czar Alexander II to commit to change. A Herzen Reader stands on its own for its fascinating glimpse into Russian intellectual life of the 1850s and 1860s. It also provides invaluable context for understanding Herzen’s contemporaries, including Fyodor Dostoevsky and Ivan Turgenev.
