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Essays in this volume deal with the historical, linguistic, and ideological legacy of the Spanish Empire and its language in the New World.
Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily access...
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Routledge Companion to Latine Theatre and Performance traces how manifestations of Latine self-determination in contemporary US theatre and performance practices affirm the value of Latine life in a theatrical culture that has a legacy of misrepresentation and erasure. This collection draws on fifty interdisciplinary contributions written by some of the leading Latine theatre and performance scholars and practitioners in the United States to highlight evolving and recurring strategies of world making, activism, and resistance taken by Latine culture makers to gain political agency on and off the stage. The project reveals the continued growth of Latine theatre and performance through cha...
This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.
"Capetillo evaluates the culture and working conditions in her native Puerto Rico and the world outside, while providing a sense of workers' movements and the condition of women at the turn of the century."--BOOK JACKET.
The modern struggle against fat cuts deeply and pervasively into American culture. Dieting, weight consciousness, and widespread hostility toward obesity form one of the fundamental themes of modern life. Fat History explores the meaning of fat in contemporary Western society and illustrates how progressive changes, such as growth in consumer culture, increasing equality for women, and the refocusing of women's sexual and maternal roles have influenced today's obsession with fat. Brought up-to-date with a new preface and filled with narrative anecdotes, Fat History explores fat's transformation from a symbol of health and well-being to a sign of moral, psychological, and physical disorder.
Arte Público Presss landmark series "Recovering the U.S. Hispanic Literary Heritage" has traditionally been devoted to long-lost and historic works by Hispanics of decades and even centuries past. The publications of Black Cuban, Black American mark the first original work by a living author to become part of this notable series. The reason for this unprecedented honor can be seen in Evilio Grillos path-breaking life. Ybor City was once a thriving factory town populated by cigar-makers, mostly emigrants from Cuba. Growing up in Ybor City (now part of Tampa) in the early twentieth century, the young Evilio experienced the complexities and sometimes the difficulties of life in a horse-and-bug...
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
One of the great festival traditions shared by Pueblo and Hispano across New Mexico is the celebration Los Comanches. In this series of winter festivals, communities come alive with colorful processions, boisterous ceremonial dance, allegorical nativity plays, and a folk drama on horseback which portrays the 1779 defeat of famed war chief Cuerno Verde. In a mixture of defiance and emulation, these events honor the historic relations of war and peace with the Comanches, the feared and admired warriors and traders of the south plains who once held the fate of all New Mexico in their hands. Lamadrid and Gandert provide historic, poetic, and photographic documentation of one of the richest legacies of the upper Rio Grande, a cultural crossroads known for its mestizo traditions and transcultural exchanges. A CD anthology of "Comanche" music accompanies a stunning selection of Gandert's photographs.