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This is a biography of Kenyon Cox, one of the best-known cultural figures in the United States from 1900 to 1920. His reputation was earned chiefly as a painter of murals and as a critic. His large allegorical works can be found in Wisconsin, Iowa, Minnesota, the Library of Congress, and New York.
Kenyon Cox (1856-1919) studied painting in Paris from the fall of 1877 to the fall of 1882. These edited letters, written to his parents in Ohio, describe Cox's daily routine and explicate French art teaching both in the academic setting of the Ecole des Beaux-Arts and in private ateliers, such as those of Emile Carolus-Duran and Rodolphe Julian. The letters are important for insight into this system and into Paris art student life in general. Cox was an academic, committed to learning traditional drawing and composition before establishing his own artistic identity. Most of the students who crowded the ateliers and academics of Paris shared this view, and Cox's experiences and opinions, oft...
Kenyon Cox was a leading American painter in the classical style and a traditionalist art critic. This collection of his private correspondence charts his personal life and career development, and provides an insight into the inner workings of the American art scene.
The conflict between modern and traditional art is one of the best known episodes in American cultural history. The modernists on the war in the sense that their styles and attitudes of mind dominated the discussion and production of new art. But the traditionalists remained strong in the arenas of public opinion and taste. It is a testament to the importance of the ideas involved that the basic issues are not yet settled in the larger cultural world. Kenyon Cox, a painter as well as critic, revealed a steadfast devotion to the ideals of a high art tradition, derived in his later years chiefly from admiration for the Italian Renaissance. He knew western art history, surveyed the current art ...
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
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Verses about imaginary animals.
"A master artist and teacher of metalwork presents a bold new approach to creative expression in metal. Believing that the time has come for the artist to free himself from the functional forms that have dominated the metalsmith's craft -- the cup, the box, the pitcher, etc. -- Heikki Seppä urges the craftsman to create in terms of pure form, and in this book he shows him how...The book is profusely illustrated throughout with the author's own sketches of the ideas and techniques discussed. It will be of significant value to the accomplished craftsman as well as to teachers and advanced students of this exciting and growing art form." --P. [4] of cover.