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The Cham of Vietnam
The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. Written by specialists in history, archaeology, anthropology, art history, and linguistics, these essays reassess the ways that the Cham have been studied.
Sino–Malay Trade and Diplomacy from the Tenth through the Fourteenth Century
China has been an important player in the international economy for two thousand years and has historically exerted enormous influence over the development and nature of political and economic affairs in the regions beyond its borders, especially its neighbors. Sino–Malay Trade and Diplomacy from the Tenth through the Fourteenth Century examines how changes in foreign policy and economic perspectives of the Chinese court affected diplomatic intercourse as well as the fundamental nature of economic interaction between China and the Malay region, a subregion of Southeast Asia centered on the Strait of Malacca. This study’s uniqueness and value lie in its integration of archaeological, epigraphic, and textual data from both China and Southeast Asia to provide a rich, multilayered picture of Sino–Southeast Asian relations in the premodern era. Derek Heng approaches the topic from both the Southeast Asian and Chinese perspectives, affording a dual narrative otherwise unavailable in the current body of Southeast Asian and China studies literature.
A Maritime Vietnam
Powerful new history of Vietnam over two millennia arguing that key political changes resulted from the impact of the sea.
Beneath the Winds
This lavish publication features 100 spectacular masterpieces of art, encompassing stone and wooden sculpture, textiles, ceramics, gold and silverwork, and paintings, from the Art Gallery's collection. The works cover 2000 years from prehistoric times until the twentieth century and originate from Indonesia, Malaysia, Brunei, Thailand, Cambodia, Burma, Laos, Vietnam and Philippines. They document the extraordinarily rich and diverse heritage of Southeast Asian art ranging in styles from ancient Javanese stone statues, extravagant Balinese carvings, Islamic decorative arts and gold Buddhist images. BENEATH THE WINDS is a major new contribution to the field of Southeast Asian art publication and intended both for general readers and scholars/students in the field. The Art Gallery of South Australia has twice received awards from the Australian and New Zealand Art Historians Association for excellence in previous Asian art publications (2005 and 2010).
One Thousand Years - The Stories of Giao Châu, the Kingdoms of Linyi, Funan and Zhenla
During the Vietnam War, the country was divided at the 17th parallel. About 140 kilometres north of this dividing line is a mountain pass called Ngang pass. The land south of this pass, about 60 per cent of present-day Vietnam, was occupied for centuries by the kingdoms of Linyi, Funan and Zhenla. But most people either have not heard of them or have only vague ideas about them. This book is about these kingdoms. North of Ngang pass, Giao Châu, was ruled by northern dynasties for over a thousand years from the 2nd century BCE to the 10th century CE, barring a few intervals of independence. This volume also tells how the people of Giao Châu came out of this long period to become an independ...
Avoiding the Dire Straits
Scurvy is known to be one of the most gruesome pathological phenomena that, in the course of centuries, has made innumerable victims. Long distance seafaring operations, war zones, prisons and crop failures all created breeding grounds for the vitamin C defi ciency disease, which was commonly characterized by swelling and bleeding gums and internal haemorraghes in the limbs. While the history of scurvy is rather well-known from a Western perspective, the higher proneness to scurvy of Asian peoples in comparison to Europeans, Polynesians and other peoples, as proven in recent biochemical studies, compelled to broaden that horizon and look for scurvy in China and beyond. The purpose of this bo...
Reframing Modernism: Painting from Southeast Asia, Europe and Beyond
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Sinicizing Christianity
Chinese people have been instrumental in indigenizing Christianity. Sinizing Christianity examines Christianity's transplantation to and transformation in China by focusing on three key elements: Chinese agents of introduction; Chinese redefinition of Christianity for the local context; and Chinese institutions and practices that emerged and enabled indigenisation. As a matter of fact, Christianity is not an exception, but just one of many foreign ideas and religions, which China has absorbed since the formation of the Middle Kingdom, Buddhism and Islam are great examples. Few scholars of China have analysed and synthesised the process to determine whether there is a pattern to the ways in which Chinese people have redefined foreign imports for local use and what insight Christianity has to offer. Contributors are: Robert Entenmann, Christopher Sneller, Yuqin Huang, Wai Luen Kwok, Thomas Harvey, Monica Romano, Thomas Coomans, Chris White, Dennis Ng, Ruiwen Chen and Richard Madsen.
Arts of Việt Nam
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Clio/Anthropos
The intersection between history and anthropology is more varied now than it has ever been—a look at the shelves of bookstores and libraries proves this. Historians have increasingly looked to the methodologies of anthropologists to explain inequalities of power, problems of voicelessness, and conceptions of social change from an inside perspective. And ethnologists have increasingly relied on longitudinal visions of their subjects, inquiries framed by the lens of history rather than purely structuralist, culturalist, or functionalist visions of behavior. The contributors have dealt with the problems and possibilities of the blurring of these boundaries in different and exciting ways. They provide further fodder for a cross-disciplinary experiment that is already well under way, describing peoples and their cultures in a world where boundaries are evermore fluid but where we all are alarmingly attached to the cataloguing and marking of national, ethnic, racial, and religious differences.
