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In a small, locally owned Trinidadian factory that produces household goods, 80 percent of the line workers are women, almost all black or East Indian. The supervisors are all men, either white or East Indian. Kevin Yelvington worked for a year in this factory to study how ethnicity and gender are integral elements of the class structure, a social and economic structure that permeates all relations between men and women in the factory. These primary divisions determine the way the production process is ordered and labor divided. Unlike women in other industries in "underdeveloped" parts of the world who are recruited by foreign firms, Caribbean women have always contributed to the local economy. Within this historical context, Yelvington outlines the development of the state, and addresses exploitation and domination in the labor process. Yelvington also documents the sexually charged interactions between workers and managers and explores how both use flirting and innuendo to their advantage. Weddings and other social events outside the factory provide insightful details about how the creation of social identities carries over to all aspects of the local culture.
This book breaks new theoretical and methodological ground in the study of the African diaspora in the Atlantic world. Leading scholars of archaeology, linguistics, and socio-cultural anthropology draw upon extensive field experiences and archival investigations of black communities in North America, the Caribbean, South America, and Africa to challenge received paradigms in Afro-American anthropology. They employ dialogic approaches that demand both an awareness of the historical fashioning of anthropology's categories and selfreflexive, critical research and define a new agenda for the field. Paying close attention to power, politics, and the dynamism of never-finished, open-ended behavioral forms and symbolic repertoires, the contributors address colonialism, the slave trade, racism, ethnogenesis, New World nationalism, urban identity politics, the development of artworlds, musics and their publics, the emergence of new religious and ritual forms, speech genres, and contested historical representations. The authors offer sophisticated interpretations of cultural change, exchange, appropriation, and re-appropriation that challenge simplistic notions of culture.
In Light of Africa explores how the idea of Africa as a real place, an imagined homeland, and a metaphor for Black identity is used in the cultural politics of the Brazilian state of Bahia. In the book, Allan Charles Dawson argues that Africa, as both a symbol and a geographical and historical place, is vital to understanding the wide range of identities and ideas about racial consciousness that exist in Bahia's Afro-Brazilian communities. In his ethnographic research Dawson follows the idea of Africa from the city of Salvador to the West African coast and back to the hinterlands of the Bahian interior. Along the way, he encounters West African entrepreneurs, Afrobeat musicians, devotees of the Afro-Brazilian religion Candomblé, professors of the Yoruba language, and hardscrabble farmers and ranchers, each of whom engages with the idea of Africa in their own personal way.
A striking new interpretation of colonial policing and political violence in three empires between the two world wars.
Who was Tertullian, and what can we know about him? This work explores his social identities, focusing on his North African milieu. Theories from the discipline of social/cultural anthropology, including kinship, class and ethnicity, are accommodated and applied to selections of Tertullian’s writings. In light of postcolonial concerns, this study utilizes the categories of Roman colonizers, indigenous Africans and new elites. The third category, new elites, is actually intended to destabilize the other two, denying any “essential” Roman or African identity. Thereafter, samples from Tertullian’s writings serve to illustrate comparisons of his own identities and the identities of his rhetorical opponents. The overall study finds Tertullian’s identities to be manifold, complex and discursive. Additionally, his writings are understood to reflect antagonism toward Romans, including Christian Romans (which is significant for his so-called Montanism), and Romanized Africans. While Tertullian accommodates much from Graeco-Roman literature, laws and customs, he nevertheless retains a strongly stated non-Roman-ness and an African-ity, which is highlighted in the present monograph.
The nation-state of Trinidad and Tobago offers a unique case for the study of the forces and ideologies of nationalism. This book reveals how this ethnically diverse nation (40% African origin, 40-45% East Indian origin, plus those of Syrian, Chinese, Portuguese, French and English descent), independent for less than forty years, has provided fertile ground for the creative tension between the imagination of the writer in his or her search for a habitable text of identity and the official discourse on nationalism in Trinidad and Tobago. This discourse has in turn been embedded in a struggle that propels the nation's story. Following on from this background, the study examines the changes and influences on the sense of nationalism and peoplehood caused by migration and the ethnicization of migrant communities in the metropoles.
This text is an examination of the social evolution of the colonial Caribbean, from the formal end of slavery to the middle of the 20th century. It focuses on social and ethnic groups, classes, gender interrelations, and the development of cultural and intellectual traditions.
Based on historical research and more than thirty years of anthropological fieldwork, this wide-ranging study underlines the importance of Caribbean cultures for anthropology, which has generally marginalized Europe's oldest colonial sphere. Located at
Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age
First-person accounts that show the expanding demographics of African-descended religions In this focused portrayal of global dispersal and spiritual sojourning, Martin Tsang draws together first-person accounts of the evolving Afro-Atlantic religious landscape. Spirited Diasporas offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lucumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions. In these accounts, practitioners from many origins illustrate the work and commitment they undertook to learn and become initiated in these traditions. They reveal in the process a varie...