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In the spirit of Motherless Brooklyn or Remains of the Day, Allardice offers up a searing and memorable debut. When Paul McWeeney's older sister writes a book accusing their late father of committing the gruesome Black Dahlia murder, based on memories her new therapist has helped her recover, or imagine, he sits down to write a cease and desist letter to the publishers. Paul hopes to refute his sister's claims about their father's role in the infamous 1947 murder, arguing for his own divergent memory of their Hollywood childhood by way of defending their father's name and legacy. But the letter begins to take on a life of its own, and Paul, a failed novelist and community college writing instructor, soon finds himself on an obsessive, elliptical exploration of both his family's history and his own conflicted memory, which begins to absorb his daily life and threaten his relationships with those, closest to him. The letter becomes not the intended refutation but rather a disturbing and wildly comical psychological self–portrait of man caught between increasingly unstable versions of the past.
New Stories from the Midwest presents a collection of stories that celebrate an American region too often ignored in discussions about distinctive regional literature. The editors solicited nominations from more than three hundred magazines, literary journals, and small presses, and narrowed the selection to nineteen authors comprising prize winners and new and established authors. The stories, written by midwestern writers or focusing on the Midwest, demonstrate how the quality of fiction from and about the heart of the country rivals that of any other region. The anthology includes an introduction from Lee Martin and short fiction by emerging and established writers such as Rosellen Brown, Bonnie Jo Campbell, Christie Hodgen, Gregory Blake Smith, and Benjamin Percy.
"[A] searing debut." —i>O, The Oprah Magazine In her powerful collection, first published in 2016 and now featuring new stories, Vanessa Hua gives voice to immigrant families navigating a shifting America. Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters span both worlds but belong to none, illustrating the conflict between self and society, tradition and change. This all–new edition of Deceit and Other Possibilities marks the emergence of a remarkable writer.
From an award-winning author, this short novel satirizes the pressures of modern family life, from urban organics to political tracking apps to the inscrutable rules of preschool birthday events.
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In the spirit of Motherless Brooklyn or Remains of the Day, Allardice offers up a searing and memorable debut. When Paul McWeeney's older sister writes a book accusing their late father of committing the gruesome Black Dahlia murder, based on memories her new therapist has helped her recover, or imagine, he sits down to write a cease and desist letter to the publishers. Paul hopes to refute his sister's claims about their father's role in the infamous 1947 murder, arguing for his own divergent memory of their Hollywood childhood by way of defending their father's name and legacy. But the letter begins to take on a life of its own, and Paul, a failed novelist and community college writing instructor, soon finds himself on an obsessive, elliptical exploration of both his family's history and his own conflicted memory, which begins to absorb his daily life and threaten his relationships with those, closest to him. The letter becomes not the intended refutation but rather a disturbing and wildly comical psychological self–portrait of man caught between increasingly unstable versions of the past.
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