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The magic of dogs! They keep company, provide unconditional love, share in the ups and downs of our lives and make every day an adventure. How do dogs do it? They brighten our days, act as our therapists, and become our best friends—without saying one word. They just plain get us, too, in a surprisingly human way. And during the COVID-19 pandemic they rose to the occasion and transformed our stay-at-home experiences. You’ll find yourself laughing a lot, tearing up at times, and nodding your head in recognition as you read these tales about the magical experience of sharing life with a dog. From hilarious to heroic, mischievous to miraculous, and everything in between, you’ll enjoy a wi...
The most recent installment of the Reappraisals series, which examines the range of meanings associated with animals in the Canadian literary imagination.
Ornithologies of Desire develops ecocritical reading strategies that engage scientific texts, field guides, and observation. Focusing on poetry about birds and birdwatching, this book argues that attending to specific details about the physical world when reading environmentally conscious poetry invites a critical humility in the face of environmental crises and evolutionary history. The poetry and poetics of Don McKay provide Ornithologies of Desire with its primary subject matter, which is predicated on attention to ornithological knowledge and avian metaphors. This focus on birds enables a consideration of more broadly ecological relations and concerns, since an awareness of birds in thei...
Analyzing 30 years of Don McKay's achievements, this critique explores one of the most original bodies of work in contemporary English-language poetry. Emphasizing details of ornithology, botany, weather, industry, and the arts, as well as focusing on varied geographic settings, his poetry opens countless doors for analysis. Fourteen contributors examine the complex contradictions of McKay's work, including nuanced description and intricate metaphor, philosophical phrasing and folksy idiom, madcap humor and elegy.
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
The Levellers sought to restructure the state in 1647-9 around popular consent and liberty for conscience, especially in their Agreement of the People. Following the Levellers, Volume Two examines the later political efforts of Leveller spokesmen like John Lilburne, John Wildman, and Richard Overton, and their followers. Far from ending in the 1649 troop revolts, the Leveller impact continued in the Interregnum climacterics of 1653 and 1659-60, times of acute political and religious unsettlement. Indeed, Leveller ideas resurfaced in Restoration political and religious crises in 1678-83 and again in 1687-8 and flourished in populations that once followed the Levellers. Analysis of London, army, and county Levellers reveals connections to subsequent outbursts of unrest. Sectarian communities in London’s peripheral neighbourhoods and nearby counties sustained the Leveller ethos, and ordinary people like those who followed the Levellers remained active in petitioning and protest about political and religious liberties through the Glorious Revolution.
This volume features thirty-five of Don McKay’s best poems, which are selected with a contextualizing introduction by Méira Cook that probes wilderness and representation in McKay, and the canny, quirky, thoughtful, and sometimes comic self-consciousness the poems adumbrate. Included is McKay’s afterword written especially for this volume in which McKay reflects on his own writing process—its relationship to the earth and to metamorphosis. Don McKay has published eight books of poetry. He won the Governor General’s Award in 1991 (for Night Field) and in 2000 (for Another Gravity), a National Magazine Award (1991), and the Canadian Authors Association Award for Poetry in 1984 (for Bi...
This Handbook triangulates the disciplines of history, legal history, and literature to produce a new, interdisciplinary framework for the study of early modern England. For historians of early modern England, turning to legal archives and learning more about legal procedure has seemed increasingly relevant to the project of understanding familial and social relations as well as political institutions, state formation, and economic change. Literary scholars and intellectual historians have also shown how classical forensic rhetoric formed the basis both of the humanist teaching of literary composition (poetry and drama) and of new legal epistemologies of fact-finding and evidence evaluation....
'Few have a better feel for Argentine rugby than Rex Gowar ... his experience oozes from every paragraph. A fascinating, educational read' – Robert Kitson, The Guardian Argentinean rugby is a unique – and often mysterious – beast. In Pumas, veteran journalist Rex Gowar digs to the heart of rugby in Argentina to reveal a history like no other in the sport. Gregarious, colourful, controversial, violent, shocking, beautiful – these are just some of the words to describe the stories that emerge in these hair-raising pages as some of the biggest characters in the game are profiled, famous matches relived and painful history is scrutinised. In the first book in English to examine rugby in Argentina in any depth, Gowar explores how the roots of the game in the early twentieth century has produced a twisting, astonishing history that has flowered in the present day as the Pumas have established themselves as one of the world's powerhouse rugby nations.