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This resource will help you become a copyright coach by showing you how to discern the most important issues in a situation, determine which questions you need to ask, and give a response that is targeted to the specific need.
Looks at the films of Kevin Smith, tracing their characters, controversy over the language and content, themes, and critical reception.
This reference provides a practical introduction to PEAF (pragmatic enterprise architecture framework) and its use in enterprise-architecture practice for those who want to explore how to get an enterprise on track with EA.
Here, at last, is the book his legions of fans have been waiting for. Kevin Smith, the legendary independent film-maker, columnist and cultural commentator, launches himself on an unsuspecting world with a series of hilarious rants on the absurdity of just about everything. Unlike his unforthcoming screen alter-ego Silent Bob, Smith is ready to let rip at maximum volume, whether it be on the madness of Hollywood, 'The Unholy Tale of Greasy Reese Witherspoon', his bloodcurdling hatred of Britney Spears or the highly-sexed comics industry. Along the way we get a shocking insight into the making of Smith's movies, and learn far more than is necessary about his bathroom habits.
That Kevin Smith? The guy who did “Clerks” a million years ago? Didn’t they bounce his fat ass off a plane once? What could you possibly learn from the director of “Cop Out”? How about this: he changed filmmaking forever when he was twenty-three, and since then, he’s done whatever the hell he wants. He makes movies, writes comics, owns a store, and now he’s built a podcasting empire with his friends and family, including a wife who’s way out of his league. So here’s some tough shit: Kevin Smith has cracked the code. Or, he’s just cracked. Tough Sh*t is the dirty business that Kevin has been digesting for 41 years and now, he’s ready to put it in your hands. Smear this s...
FROM THE POET the Chicago Tribune calls “the new voice of Chicago,” comes L-vis Lives!, a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, and Eminem, and meet some of history's more obscure “whiteboy” heroes and anti-heroes: legendary breakdancers, p...
Fort Smith's story reflects the growth of America. The small frontier fort, established in 1817, served as a link to the emerging West and was occupied by Federal troops until the 1870s. The US District for Western Arkansas and Indian Territory was also centered here, as judge Isaac C. Parker, attorney William H.H. Clayton, marshals Heck Thomas, Bass Reeves, Jacob Yoes, and many others sought to civilize the Wild West. Lawmen, farmers, blue-collar workers, civic leaders, and creative business owners built a hub of culture, health care, transportation, and enterprise. The evolution of Fort Chaffee since the 1940s and the addition of the Arkansas Air National Guard in the 1950s also shaped the economy and patriotism of the area. The progression in education and commerce over time reveals further success. Fort Smith's development is tied to natural resources, a drive toward the future, and its celebration of the past.
Buried in many people and operating largely outside the realm of conscious thought are forces inclining us toward liberal or conservative political convictions. Our biology predisposes us to see and understand the world in different ways, not always reason and the careful consideration of facts. These predispositions are in turn responsible for a significant portion of the political and ideological conflict that marks human history. With verve and wit, renowned social scientists John Hibbing, Kevin Smith, and John Alford—pioneers in the field of biopolitics—present overwhelming evidence that people differ politically not just because they grew up in different cultures or were presented w...
To read the book of Revelation is to see a myriad of representations pass by our gaze, offering and kaleidoscope of bizarre and incongruent images. This world strikes us at first as fearfully and mysteriously strange and fantastic. But once these symbols are properly deciphered, they combine to present crucial messages for those living in the last days. These messages were designed by God to lead all successfully through these troubled times if they will read, hear, and do his will. This commentary presents a comprehensive analysis of John's book aided by the lens of LDS doctrine and Mormon experience. God delivered his messages in the form of images housed within discrete visions, with each symbol explaining, exposing, or emphasizing various aspects of the message conveyed. The challenge is getting beyond the symbols to the represented realities. Information is drawn from all the Standard Works, the Joseph Smith Translation of the Bible, and from modern Prophets and Apostles.
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