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Monumental
"Kevin O'Callaghan is a wizard who can find the monumental in anything and sees the potential genius in everyone, and Monumental is his manifesto, featuring hundreds of beautiful and useful design objects made out of obsolete, useless cast-off technology." --Front flap.
Writing and Research for Graphic Designers
For designers, writing and research skills are more necessary than ever before, from the basic business compositions to critical writing. In this competitive climate, designers are routinely called upon to make words about the images and designs they create for clients. Writing about design is not just "trade" writing, but should be accessible to everyone with an interest in design. This book is a complete, introductory guide to various forms of research and writing in design—and how they explain visuals and can be visualized. These pages address communication on various levels and to all audiences: - Designers to Designers - Designers to Clients - Designers to the Design-literate - Designers to the Design-agnostic Being able to express the issues and concerns of the design practice demands facts, data, and research. With Writing and Research for Graphic Designers, you’ll learn how to turn information into a valuable asset— one of the key talents of the design researcher.
Oileain
A wealth of information on the wildlife, stories and history of the islands.For those wishing to visit in small boats or kayaks there are details of:? Landings? Camping? Drinking water? Tidal informationOileain is a detailed guide to almost every Irish offshore island. The guide is comprehensive, describing over 300 islands, big and small, far out to sea and close in by the shore, inhabited and uninhabited. Oileain tells it as it is, rock by rock, good and bad, pleasant and otherwise. It concentrates on landings and access generally, then adds information on camping, drinking water, tides, history, climbing, birds, whales, dolphins, legends or anything else of interest.Oileain will, I hope, ...
The Yugo
Six months after its American introduction in 1985, the Yugo was a punch line; within a year, it was a staple of late-night comedy. By 2000, NPR's Car Talk declared it "the worst car of the millennium." And for most Americans that's where the story begins and ends. Hardly. The short, unhappy life of the car, the men who built it, the men who imported it, and the decade that embraced and discarded it is rollicking and astounding, and one of the greatest untold business-cum-morality tales of the 1980s. Mix one rabid entrepreneur, several thousand "good" communists, a willing U.S. State Department, the shortsighted Detroit auto industry, and improvident bankers, shake vigorously, and you've got...
Problems, Solutions
None
Beyond the Ranges
For Jason Graham, the world ends not with a bang, not even with much of a whimper. One second, he's sitting in a restaurant in Mobile, Alabama, chatting with a server, the next he finds himself in a strange room, rescued by mysterious alien benefactors. Seems the world did end, though how and why are something of a mystery. Now, Jason—and five hundred million other humans—are in orbit around an Earthlike world that is abundant in natural resources and totally untamed. For the newly awakened humans, this is a chance to start society with a clean slate and a bright future. For Jason, who has knocked about aimlessly in several different careers in his Earth life, it’s an opportunity to unleash his creativity and ambition and see what he can really do.
Burning the Big House
The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These "Big Houses" were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction--including soldiers using a Rembrandt as a dart board--and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.
