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Vocal Traditions: Training in the Performing Arts explores the 18 most influential voice training techniques and methodologies of the past 100 years. This extensive international collection highlights historically important voice teachers, contemporary leaders in the field, and rising schools of thought. Each vocal tradition showcases its instructional perspective, offering backgrounds on the founder(s), key concepts, example exercises, and further resources. The text’s systematic approach allows a unique pedagogical evaluation of the vast voice training field, which not only includes university and conservatory training but also private session and workshop coaching as well. Covering a global range of voice training systems, this book will be of interest to those studying voice, singing, speech, and accents, as well as researchers from the fields of communication, music education, and performance. This book was originally published as a series in the Voice and Speech Review journal.
Kristin Linklater is one of the most internationally recognised names in the field of voice training, and this volume explores her work and life while also putting her work into practice. Charting the development of Linklater's process, including her work at LAMDA, the Lincoln Centre, NYU, Columbia, and the KLVC on Orkney, the book provides a comprehensive overview of one of the world’s leading voice coaches. This book contains: A detailed biography of Linklater’s life, including her work with Iris Warren at LAMDA, as well as the founding of her own companies and the KLVC on Orkney Detailed analysis of her key text, Freeing the Natural Voice, and her work with Carol Gilligan on The Company of Women, an all-female Shakespeare company they co-conceived A comprehensive set of exercises – several of these previously unpublished This book offers essential reading and an invaluable practice handbook to the contemporary performer, voice teacher, and actor trainer. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Roy Hart's revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. As a first step towards critical understanding, Routledge Performance Practitioners offer unbeatable value for today's student.
Roy Hart’s revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. Hart’s outstanding contribution to vocal research, practice and performance stretched over 20 years until his untimely death in 1975, and his vocal training produced performers with extraordinary and highly expressive vocal ranges. He founded a theatre company, Roy Hart Theatre, that brought his ideas to realisation in groundbreaking works. His influence, through his own use of the voice for theatre and music and its embodiment in his company, was widespread, attracting the interest of directors such as Peter Brook, Jerzy G...
Luis Valdez studies the life and work of this Chicano playwright, director, performer, and producer along with the implications of his legacy for Chicana/o/x communities and for all who engage with his work. Valdez’s work broadened the scope of theater and arts in the Chicano community, and his formation of El Teatro Campesino brought together students and farmworkers. This volume highlights his professional work and writings. It offers a unique investigation of Luis Valdez, his life, his oeuvre, and his contributions to the theater in the United States and beyond. This book combines: an in-depth biographical overview of Valdez’s life and career, focusing on defining experiences that set...
Lauded as one of the most important poets and playwrights of the twentieth century, Federico García Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged. Directing both his own work and that of others, Lorca was also closely involved in the rehearsals for productions of many of his plays, and from his own writings and those of his collaborators, a determined agenda to stimulate audiences and renovate theatre can be seen. This is the first book in English to fully consider Lorca as a director and his rehearsal methodology. The book combines: - A biographical account of Lorca’s work as a director and rehearsal leader, revealing hi...
Nach einer gemeinsamen Radioproduktion mit dem Stimmkünstler Roy Hart besuchte Paul Pörtner im Jahr 1972 zum ersten Mal das Roy Hart Theatre in London. In der Gruppe, die Theater von der Stimme her entwickelte, glaubte der deutsche Theaterautor Pörtner ein Ensemble gefunden zu haben, das seine Vorstellungen vom Zusammenhang zwischen Theater und Leben teilt und künstlerisch umsetzen kann. Es begann eine knapp zweijährige Phase des intensiven Austauschs und der Zusammenarbeit. Der (Stimm-)Künstler und Philosoph Ralf Peters zeichnet in seiner Recherche die Etappen dieser Begegnung nach und sucht in dieser besonderen Episode der neueren Theatergeschichte nach den Bezügen für die Gegenwart. Dabei orientiert er sich hauptsächlich an bislang unveröffentlichten Texten Pörtners aus dieser Zeit. Entstanden ist ein faszinierender Einblick in das Avantgardetheater der 1970er Jahre, das Theater als Lebensform verstehen wollte und den künstlerischen Fragen existenzielle Dringlichkeit gab.
Jatinder Verma has been a pioneering figure in the development of British South Asian theatre, and a prominent spokesperson for the importance of increased diversity amongst playwrights, actors, directors, designers, and producers on the mainstream British stage. As co-founder and former Artistic Director of Tara Arts, he developed a new aesthetic style known as 'Binglish' which creates a hybrid dramaturgy of languages, training and performance forms, and styles of acting, and design, that operates to establish a negotiation between cultures which reflects contemporary Britain. Verma is acknowledged as being a leading practitioner and director, as well as writer about theatre and culture, wh...
In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
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