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From a startling new voice in American fiction comes a dark, powerful novel about a tragic city and its inhabitants over the course of one Halloween weekend. Set in a decaying Midwestern urban landscape, with its goings-on and entire atmosphere dominated and charged by one Jesuit prep school and its students, parents, faculty, and alumni, THE NATURAL ORDER OF THINGS is a window into the human condition. From the opening chapter and its story of the doomed quarterback, Frank McSweeney, aka The Minotaur, for whom prayers prove not enough, to the end, wherein the school's former headmaster is betrayed by his peers in the worst way possible, we see people and their oddness and ambitions laid out bare before us.
Taylor Olivia has a favorite place. It happens to be smack dab in between her parents. Wherever they are. Wherever they go. Whether it's out to dinner, on a walk or time for bed, Taylor Olivia finds a way to land in between. She is the Queen of In Between. It's the place she always wants to be. And come to think of it, right in the middle, smack dab in between feels just right for her parents too. This story is especially fun for new parents who find their alone time now has a third wheel - in the form of Taylor Olivia - the Queen of In Between. It's a story about how kids change lives for parents, but in a good way. It's about embracing those moments when your kids are young, carefree, and full of wonder. It reminds us to savor those times in between, those times when they are always in the middle of everything. Those times are fleeting. It's why in the end, right in the middle, smack dab in between, feels like the most favorite special place to be.
This volume unites three disparate strands of historical and legal experience. Nearly from its beginning, the Catholic Church has sought to promote peace – among warring parties, and among private litigants. The volume explores three vehicles the Church has used to promote peace: papal diplomacy of international disputes both medieval and contemporary; the arbitration of disputes among litigants; and the use of the tools of reconciliation to bring about rapprochement between ecclesiastical superiors and those subject to their authority. The book concludes with an appendix exploring a wide variety of hypothetical, yet plausible scenarios in which the Church might use its good offices to repair breaches among persons and nations.
Kevin Keating examines the major writings of the Roman Pontiffs from Pius IX in the last half of the nineteenth century to the most recent writings of Francis. He explores the shift in papal focus from internal church matters and attacks on modern thought to concern for matters affecting all of humanity--not just spiritually, but socially, politically, and economically as well. Looming over all of these teachings is the specter of the doctrine of infallibility. First defined in 1870 to cover only papal infallibility, it would be expanded in the 1960s to include the exercise of infallibility by the worldwide college of bishops. Keating discusses the most significant themes dealt with by popes during this period--the Bible, religious freedom, church-state relations, social doctrine, human sexuality, ecumenism, and interreligious dialogue. He describes how papal teaching has changed, developed, and even been contradicted by later popes, although they have failed to expressly acknowledge departures from prior teaching. He details how the doctrine of infallibility, far from serving to bolster the credibility of papal teaching, often has served to undermine it.
For years Normandy Falls has been haunted by its strange history and aggrieved spirits said to roam its graveyards. Despite warnings, Edmund Campion is determined to move there to pursue a graduate degree. One night Edmund stumbles upon the body of Emily Ryan drowned in her family pool. Was it suicide, Edmund wonders, or murder? Elsewhere, a low-level criminal named The Gonk takes over a remote cottage, complete with a burial ground and moonshine still, and devises plans for both; Xavier D'Avignon, the eccentric chef of a failing French restaurant, supplies customers with a hallucinogenic cocktail he makes in his kitchen; and Colette Collins, an elderly local artist of the surreal, attends a New Year's Eve retrospective that is destined to set the whole town on fire.
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