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G-point Almanac
Poetry. Predicated on the structure of a Book of Days, G-POINT ALMANAC is a long-poem sequence that fixes poems to specific days of the year and times of day. The third book of the g-point almanac tetralogy, passyunk lost follows Kevin Varrone through a wintry season in Philadelphia as he undergoes an existential search for spirituality in the declining post-industrial city. However, instead of writing a poem on each day of a year, the sequence references a variety of sources to capture Varrone's cumulative emotional and physical experiences to create a poem for each day of a year. The result is a flaneur's forlorn travelogue of a nostalgic world where the height of a building did not eclipse the brim of a man's hat.
G-point Almanac
Poetry. "So much in g-point almanac: id est (9.22-12.21) is ventured; so much here is profound. Kevin Varrone meets, dares, slips past what is assumed to be reality; language, volant, 'fails, too,' leaving us with 'what's beyond the said thing.' His poetry shivers with hairline fractures, the same as the cities he describes, with familiarities folded into oddnesses. Over and over, he moves us to spaces where we find ourselves surprised that we are so moved. 'How to put it all in,' he asks, 'the hollow earth, three cities, one sheet of paper?' But he does"--Marcella Durand. Varrone is co-founder of Beautiful Swimmer Press. He teaches at Temple University and the University of the Arts in Philadelphia. This is his first full-length collection.
Y
J. Robert Oppenheimer: reluctant father of the atomic bomb, enthusiastic lover of books, devoted husband and philanderer. Engaging with the books he voraciously read, and especially the Bhagavad Gita, his moral compass, this lyrical novel takes us through his story, from his tumultuous youth to his marriage with a radical communist and the two secret, consuming affairs he carried on, all the while bringing us deep inside the mind of the man behind the Manhattan Project. With the stunning backdrop of Los Alamos, New Mexico, Oppenheimer’s spiritual home, and using progressively shorter chapters that shape into an inward spiral, Y brings us deep inside the passions and moral qualms of this man with pacifist, communist leanings as he created and tested the world’s first weapon of mass destruction — and, in the process, changed the world we live in immeasurably.
Bk of (h)rs
Poetry. This is the first full-length collection by Pattie McCarthy who co-founded and edits BeautifulSwimmer Press. "Playing inventive variations on the medieval book of hours, this marvelous collection swarms with vividly open language that suddenly gathers to moments of startling clarity. This is simply a gorgeous book --Cole Swensen. "Pattie McCarthy commands attention for her elegant sensibility, her intellectual acuity, and her discerning creation of a poetic language adequate to the complex pressures and insights she meticulously illuminates" --Rachel Blau DuPlessis. McCarthy's chapbook CHORAGUS is also available from SPD.
Drafts 1–38, Toll
In Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearances. Her recurrent motifs and materials include home, homelessness and exile; death and the memory of the dead; political grief and passion; silence, speech, the sayable and the ineffable. Drafts 1-38, Toll functions as a long poem comprised of 38 pieces, or drafts. These poems are conceived as autonomous "canto-like" sections that work on two procedural principles. One is the random repetition of lines or phrases across poems, a self-questioning, processual, and reconceptualizing strategy that honors the term "drafts." A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft. The periodicity of this reconsideration is the number 19; hence drafts 1-19 make up the original layer, while drafts 20-38 constitute the first fold on top of this material.
The Cooperstown Symposium on Baseball and American Culture, 2013-2014
Generally acknowledged as the preeminent gathering of baseball scholars, the annual Cooperstown Symposium on Baseball and American Culture has made significant contributions to baseball research and pedagogy. This collection of 17 new essays is selected from the approximately 100 presentations of the 2013 and the 2014 symposia, covering topics whose importance extends beyond the ballpark. Presented in six themed parts, the essays consider the congruence of culture and baseball, the importance of ballpark itself, the myths, legends and icons of the baseball imagination, international and ethnic game variations, the work of baseball museum curators and a context for the game's rules of play and labor.
ADE Bulletin
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Poetry Project
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The Invisible City
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Situation
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