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Women in Wonderland
“Betsy Watry tells the tales of a dozen women, some of whom had short-lived adventures in Yellowstone National Park, but most of whom spent decades as rangers, scientists, interpreters, and entrepreneurs, shaping the Park’s physical and cultural landscape. This is a wonderful ‘hidden’ history, full of surprising stories, grounded in intensive research and written with charm.” —Dr. Mary Murphy, historian and author of Hope in Hard Times “For so long, Yellowstone National Park has needed a book about the women who stood and today stand tall in its history. At long last, Elizabeth Watry has produced it. Women across the nation should celebrate this book for its noteworthy contribu...
Mountain Time
Schullery's heartfelt reflections on his relationship to the wildness of Yellowstone Park.
The Reason why the Colored American is Not in the World's Columbian Exposition
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United State...
World of Fairs
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
All the World's a Fair
Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.
The Weir Family, 1820-1920
The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir
A Place Called Yellowstone
This epic history of America’s first national park explores how a remote Western landscape became an iconic symbol of our country and its vast wilderness so influential to our understanding of the natural world It has been called Wonderland, America’s Serengeti, the crown jewel of the National Park System, and America’s best idea. But how did this faraway landscape evolve into one of the most recognizable places in the world? As the birthplace of the national park system, Yellowstone witnessed the first-ever attempt to protect wildlife, to restore endangered species, and to develop a new industry centered on nature tourism. Yellowstone remains a national icon, one of the few entities capable of bridging ideological divides in the United States. Yet the park’s history is also filled with episodes of conflict and exclusion, setting precedents for Native American land dispossession, land rights disputes, and prolonged tensions between commercialism and environmental conservation. Yellowstone’s legacies are both celebratory and problematic. A Place Called Yellowstone tells the comprehensive story of Yellowstone as the story of the nation itself.
