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“Betsy Watry tells the tales of a dozen women, some of whom had short-lived adventures in Yellowstone National Park, but most of whom spent decades as rangers, scientists, interpreters, and entrepreneurs, shaping the Park’s physical and cultural landscape. This is a wonderful ‘hidden’ history, full of surprising stories, grounded in intensive research and written with charm.” —Dr. Mary Murphy, historian and author of Hope in Hard Times “For so long, Yellowstone National Park has needed a book about the women who stood and today stand tall in its history. At long last, Elizabeth Watry has produced it. Women across the nation should celebrate this book for its noteworthy contribu...
Schullery's heartfelt reflections on his relationship to the wildness of Yellowstone Park.
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United State...
The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir
Yellowstone is America's premier national park. Today is often a byword for conservation, natural beauty, and a way for everyone to enjoy the great outdoors. But it was not always this way. Wonderlandscape presents a new perspective on Yellowstone, the emotions various natural wonders and attractions evoke, and how this explains the park's relationship to America as a whole.Whether it is artists or naturalists, entrepreneurs or pop-culture icons, each character in the story of Yellowstone ends up reflecting and redefining the park for the values of its era. For example, when Ernest Thompson Seton wanted to observe bears in 1897, his adventures highlighted the way the park transformed from a ...
Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.
The wealth of information in this collection should be mined for generations by social scientists and historians of science, technology, and industry. It not only introduces the literature to the scholar, but provides a guide to a varied range of exposition publications.