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The Reception of Ancient Virtues and Vices in Modern Popular Culture
In Ancient Virtues and Vices in Modern Popular Culture, Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.
Impossible Worlds, Impossible Things
The successful regeneration of Doctor Who in the twenty-first century has sparked unprecedented popular success and renewed interest within the academy. The ten essays assembled in this volume draw on a variety of critical approaches—from cultural theory to audience studies, to classical reception and musicology—to form a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-off series, Torchwood and The Sarah Jane Adventures. With additional contributions from Andrew Pixley, Robert Shearman, Barnaby Edwards, and Matt Hills, the volume is intended to be accessible to everyone, from interested academics in relevant fields to the general public.
Troy
This is the first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. The first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. Examines the film’s use of Homer’s Iliad and the myth of the Trojan War, its presentation of Bronze-Age archaeology, and its place in film history. Identifies the modern political overtones of the Trojan War myth as expressed in the film and explains why it found world-wide audiences. Editor and contributors are archaeologists or classical scholars, several of whom incorporate films into their teaching and research. Includes an annotated list of films and television films and series episodes on the Trojan War. Contains archaeological illustrations of Troy, relevant images of ancient art, and stills from films on the Trojan War.
Responses to Oliver Stone’s Alexander
The charismatic Alexander the Great of Macedon (356–323 B.C.E.) was one of the most successful military commanders in history, conquering Asia Minor, Egypt, Persia, central Asia, and the lands beyond as far as Pakistan and India. Alexander has been, over the course of two millennia since his death at the age of thirty-two, the central figure in histories, legends, songs, novels, biographies, and, most recently, films. In 2004 director Oliver Stone’s epic film Alexander generated a renewed interest in Alexander the Great and his companions, surroundings, and accomplishments, but the critical response to the film offers a fascinating lesson in the contentious dialogue between historiograph...
A Companion to Josephus
A Companion to Josephus presents a collection of readings from international scholars that explore the works of the first century Jewish historian Flavius Josephus. Represents the first single-volume collection of readings to focus on Josephus Covers a wide range of disciplinary approaches to the subject, including reception history Features contributions from 29 eminent scholars in the field from four continents Reveals important insights into the Jewish and Roman worlds at the moment when Christianity was gaining ground as a movement Named Outstanding Academic Title of 2016 by Choice Magazine, a publication of the American Library Association
Ancient Rome on the Silver Screen
An unparalleled exploration of films set in Ancient Rome, from the silent Cleopatra to the modern rendition of Ben-Hur. No sooner had the dazzling new technology of cinema been invented near the end of the 19th century than filmmakers immediately turned to ancient history for inspiration. Nero, Cleopatra, Caesar, and more all found their way to the silver screen and would return again and again in the decades that followed. But just how accurate were these depictions of Ancient Rome? In Ancient Rome on the Silver Screen: Myth versus Reality, Gregory S. Aldrete and Graham Sumner provide a fascinating examination of 50 films set in Ancient Rome, analyzing each for its historical accuracy of pl...
Gender, Power, and Identity in The Films of Stanley Kubrick
This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick’s films in contemporary debates around gender, race, and age—with a focus on women’s representations. Offering new historical and critical perspectives on Kubrick’s cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick’s at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur "apologism," among others. The selections delineate these complex contours of Kubrick’s work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his work from a new perspective.
Classical Masculinity and the Spectacular Body on Film
The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of manliness and the exaggerated male form.
Helen of Troy in Hollywood
"This book explores the representation of Helen of Troy in Hollywood film and television, with a particular focus on her defining features: transcendent beauty and transgressive erotic agency. The first chapter, on early Hollywood, sets the scene by explaining the importance of ideas about Greek beauty at the beginning of cinema and highlighting some of the problems that continue to bedevil this topic, especially "realism" and the representation of supreme beauty. Blondell argues that the problem of Helen is baked into Hollywood from the start. In subsequent chapters Blondell examines specific screen adaptations in which Helen is featured. Each of these case studies locates a particular work...
Classics in the Modern World
Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world.
