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Neuroscience Research and Textbook 2
Research and textbook about new advances in neuroscience.
Asghar Farhadi
The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran’s most prominent director since the late Abbas Kiarostami. Around the world, especially in the international festival circuit, Farhadi is considered one of the great dramatist filmmakers of his generation. His reputation and influence in his home country is even greater, though also prone to misunderstandings, controversies, and divided critical reception. This volume offers a unique perspective into Farhadi's career in several key respects. Beginning with his work in television, the interviews collected here chart his rise from theater student to Iranian dramatist to celebra...
150 Classical Movies
A book with 150 classical movies with their respective year of release, director, writer, synopsis, moral, and ending.
Perkembangan Bioetanol G2 : Teknologi dan Perspektif
Perkembangan Bioetanol G2 : Teknologi dan Perspektif Sebagai penerbit ilmiah, LIPI Press mempunyai tanggung jawab untuk menyediakan terbitan ilmiah yang berkualitas. Upaya terse- but merupakan salah satu perwujudan tugas LIPI Press untuk ikut serta dalam mencerdaskan kehidupan bangsa sebagaimana yang diamanatkan dalam pembukaan UUD 1945. Bunga rampai ini merupakan hasil karya peneliti kelompok energi biomassa dan lingkungan Pusat Penelitian Kimia LIPI. Buku ini disusun berdasarkan penelaahan atas sejarah dan berbagai proses pembuatan bioetanol untuk bahan bakar serta pengalaman peneliti LIPI dalam upaya menghasilkan teknologi pembuatan bioetanol sebagai bahan bakar dari bahan alam di Indones...
Advances in Iranian Linguistics II
This volume offers insight into different aspects of an interesting but fairly understudied language family, opens a path to new inquiries, and provides valuable contribution to linguistics, in general, and to Iranian linguistics, in particular. The articles in this volume offer novel analyses of significant properties of some of the Iranian languages, and contribute to various linguistic subareas such as experimental and historical linguistics as well as the morphology, syntax and semantics of several members of this language family. Specifically, this volume features a few articles on the Ezafe construction which shed new light on this interesting phenomenon of Western Iranian languages from historical, comparative and syntactic points of view. Moreover, a few articles address the syntax and formal semantics of properties of Persian, offering new insight into particular constructions in this language which are also fruitful for the general theory of linguistics. Crucially, all authors raise important questions, opening up the path for further investigations.
Iran and the Deccan
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
MSCEIS 2019
The 7th Mathematics, Science, and Computer Science Education International Seminar (MSCEIS) was held by the Faculty of Mathematics and Natural Science Education, Universitas Pendidikan Indonesia (UPI) and the collaboration with 12 University associated in Asosiasi MIPA LPTK Indonesia (AMLI) consisting of Universitas Negeri Semarang (UNNES), Universitas Pendidikan Indonesia (UPI), Universitas Negeri Yogyakarta (UNY), Universitas Negeri Malang (UM), Universitas Negeri Jakarta (UNJ), Universitas Negeri Medan (UNIMED), Universitas Negeri Padang (UNP), Universitas Negeri Manado (UNIMA), Universitas Negeri Makassar (UNM), Universitas Pendidikan Ganesha (UNDHIKSA), Universitas Negeri Gorontalo (UNG), and Universitas Negeri Surabaya (UNESA). In this year, MSCEIS 2019 takes the following theme: "Mathematics, Science, and Computer Science Education for Addressing Challenges and Implementations of Revolution-Industry 4.0" held on October 12, 2019 in Bandung, West Java, Indonesia.
Roger Ebert's Movie Yearbook 2013
Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York Times Pulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013. It includes every movie review Ebert has written from January 2010 to July 2012. Also included in the Yearbook: In-depth interviews with newsmakers and celebrities Tributes to those in the film industry who have passed away recently Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary
Iranian Cinema in a Global Context
Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
