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Sensuous Worship
It provides the first comprehensive treatment of the Jesuits' poorly understood but remarkable revitalization of German religious art and culture - an accomplishment that would guide the direction of both religious life and subsequent German Baroque art."--BOOK JACKET.
Rethinking Europe
The Thirty Years’ War (1618-1648) lies at the intersection of early modern and modern times. Frequently portrayed as the concluding chapter of the Reformation, it also points to the future by precipitating fundamental changes in the military, legal, political, religious, economic, and cultural arenas that came to mark a new, the modern era. Prompted by the 400th anniversary of the outbreak of the war, the contributors reconsider the event itself and contextualize it within the broader history of the Reformation, military conflicts, peace initiatives, and negotiations of war.
Faith in War
While the social and cultural history of the early modern military has greatly advanced in the last few decades, the religious dimension of the military life in the Holy Roman Empire between 1500 and 1650 has hardly been explored. The Reformation brought profound political, social and cultural upheavals, but the religiosity of the men and women who followed the Christian life in the chaos of war still represents a large gap in the historiography. Faith in War shows that confessional antagonisms lost much of their meaning during war and coexistence became a fact of army life. Connecting military and civilian social and cultural history in these ways, Nikolas Funke’s case study on this period brings new life to important current historiographical discussions in a military context, including stereotyping, confessionalization, social discipline, deviance, toleration, religious violence, and the culture of death.
The Last Pavilion
This archival publication was launched in conjunction with "Every Island is a Mountain", a special exhibition commemorating the 30th anniversary of the Korean Pavilion at the Venice Biennale.
The Iron Princess
Thrust into power in the midst of the bloodiest conflict Europe had ever experienced, Amalia Elisabeth fought to save her country, her Calvinist church, and her children’s inheritance. Tryntje Helfferich’s vivid portrait reveals how this unique and embattled ruler used her diplomatic gifts to play the great powers of Europe against one another during the Thirty Years War, while raising one of the most powerful and effective fighting forces on the continent. Stranded in exile after the death of her husband, Amalia Elisabeth stymied the maneuvers of male relatives and advisors who hoped to seize control of the affairs of her tiny German state of Hesse-Cassel. Unshakable in her religious fa...
Three Skeptics and the Biblef
Biblical scholars by and large remain unaware of the history of their own discipline. This present volume seeks to remedy that situation by exploring the early history of modern biblical criticism in the seventeenth century prior to the time of the Enlightenment when the birth of modern biblical criticism is usually dated. After surveying the earlier medieval origins of modern biblical criticism, the essays in this book focus on the more skeptical works of Isaac La Peyrere, Thomas Hobbes, and Baruch Spinoza, whose biblical interpretation laid the foundation for what would emerge in the eighteenth and nineteenth centuries as modern biblical criticism.
Beyond Objecthood
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through t...
Sacred Music as Public Image for Holy Roman Emperor Ferdinand III
Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Empero...
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Revolutions in Sovereignty
How did the world come to be organized into sovereign states? Daniel Philpott argues that two historical revolutions in ideas are responsible. First, the Protestant Reformation ended medieval Christendom and brought a system of sovereign states in Europe, culminating at the Peace of Westphalia in 1648. Second, ideas of equality and colonial nationalism brought a sweeping end to colonial empires around 1960, spreading the sovereign states system to the rest of the globe. In both cases, revolutions in ideas about legitimate political authority profoundly altered the "constitution" that establishes basic authority in the international system. Ideas exercised influence first by shaping popular i...
