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The Danger of Music and Other Anti-Utopian Essays
"Roth Family Foundation music in America imprint"--Prelim. p.
Writing against Boundaries
Writing against Boundaries. Nationality, Ethnicity and Gender in the German-speaking Context presents a series of essays by prominent scholars who critically explore the intersection of nation and subjectivity, the production of national identities, and the tense negotiation of multiculturalism in German-speaking countries. By looking at a wide spectrum of texts that range from Richard Wagner's operas to Hans Bellmer's art, and to literature by Aras Ören, Irene Dische, Annette Kolb, Elizabeth Langgässer, Karin Reschke, Christa Wolf, to contemporary German theater by Bettina Fless, Elfriede Jelinek, Anna Langhoff, Emine Sevgi Özdamar, and to Monika Treut's films, the volume explores the intersection of gender, ethnicity and nation and examines concepts of national culture and the foreigner or so-called 'other.' Focusing on such issues as immigration, xenophobia, gender, and sexuality, the volume looks at narratives that sustain the myth of a homogeneous nation, and those that disrupt it. It responds to a growing concern with borders and identity in a time in which borders are tightening as the demands of globalization increase.
Composing the Canon in the German Democratic Republic
When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing ...
Opera in Performance
Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.
Power and Influence After the Cold War
Challenging conventional wisdom about German dominance in the new Europe, this study presents a new approach to the question of power and influence after the Cold War. Inspired by the debate over German hegemony and drawing on intensive fieldwork, Ann L. Phillips develops two original cases of German relations with East-Central Europe to test competing arguments. As she convincingly demonstrates, the politics of reconciliation and the activities of German party-affiliated foundations illustrate German engagement in the region in its dual faces: restraint and projection. The author uses the less-developed literature on reciprocal influences of domestic politics and the international environme...
Wagner's Parsifal
William Kinderman's detailed study of Parsifal, described by the composer as his "last card," explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career. This book offers a reassessment of the ideological and political history of Parsifal, shedding new light on the connection of Wagner's legacy to the rise of National Socialism in Germany. The compositional genesis is traced through many unfamiliar manuscript sources, revealing unsuspected models and veiled connections to Wagner's earlier works. Fresh analytic perspectives are revealed, casting the dramatic meaning of Parsifal in a new light. Much debated aspects of t...
Culture Incorporated
Why is the linkage between cultural capital and economic capital growing so fast? What is favorable or not of corporate penetration and influence in the world of art? Is art just another venue of marketing? Survey and nuanced critique of this development. Sponsoring events, museums and lifestyles.
Generic Histories of German Cinema
Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history
Zur Geschichte der Gleichung "germanisch-deutsch"
Dieser Band geht der Frage nach, warum die Deutschen seit Jahrhunderten ohne Zögern die antiken Germanen als ihre unmittelbaren Vorfahren betrachtet haben und vielfach noch heute betrachten. Obgleich der methodische Fortschritt in den Wissenschaften hat erkennen lassen, dass damit einer konstruierten Kontinuität und einer erfundenen Tradition das Wort geredet wird, dienten im 19. und 20. Jahrhundert die 'freiheitsliebenden' und 'kriegerischen' Germanen der Antike zur Motivation zeitgenössischen Handelns. Die Beiträge dieses Bandes analysieren die vielschichtigen Prozesse dieser - oft wider besseres Wissen vollzogenen - Gleichsetzung und ihre politischen Konsequenzen. Der Band bündelt die Erträge einer interdisziplinären Tagung, die vom 1. bis 3. Dezember 2000 in Freiburg veranstaltet wurde.
Recomposing German Music
Recomposing German Music illuminates the tangled relationship between music and politics in 20th-century Germany. Focusing on the reconstruction and division of Berlin’s musical community after 1945, author Elizabeth Janik demonstrates how military occupation and Cold War rivalry transformed the city’s elite musical institutions. Berlin became a crucible for competing interpretations of German musical tradition. Cultural authorities in East and West Berlin disputed the social authority responsible for defining and upholding musical standards, the appropriate relationship between art and the state, the definition of musical progress, and finally, the nature and purpose of music itself. This study is an important contribution to the social history of 20th-century music and the comparative cultural history of the two Cold War Germanys.
