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Mavo were aJapanese group of artists active in Tokyo from 1923-1925.
Japan was shaken by the 'double disaster' of earthquake and sarin gas attack in 1995, and in 2011 it was hit once again by the 'triple disaster' of earthquake, tsunami, and nuclear meltdown. This international, multi-disciplinary group of scholars examines the state and societal responses to the disasters and social crisis.
The 2009 edition of the Korea yearbook contains concise overview articles covering domestic developments and the economy in both South and North Korea as well as inter-Korean relations and foreign relations of the two Koreas in 2008. A detailed chronology complements these articles. South Korea-related refereed articles in the 2009 edition deal with the internal politics of the Democratic Labour Party, the origins of the nuclear industry, industrial relations in the metals sector, Cheju island as a medical tourism hub, President Lee Myung-bak as seen through political cartoons, the comfort women movement's regionalisation process and perceptions of North Korean women. Additional refereed articles analyse the reliability of North Korean survey data, the migration experience of North Korean refugees, and sports-related cooperation between the two Koreas.
"This is the best kanji book available today. Designed for beginners with a basic knowledge of Japanese to use in the classroom on for self-study."--Modern Language Journal Everyday tasks like finding a street address or buying a train ticket can be an ordeal in Japan if you don't read kanji-the system of Japanese writing based on Chinese characters. A group of teachers from the prestigious University of Tokyo have pooled their talents to create 250 Essential Japanese Kanji Characters in two volumes: a practical way to learn the kanji most frequently used in daily life in Japan. Each lesson helps you master a new group of kanji, using an extremely effective approach that focuses on you, the ...
Japanese Robot Culture examines social robots in Japan, those in public, domestic, and artistic contexts. Unlike other studies, this book sees the robot in relation to Japanese popular culture, and argues that the Japanese ‘affinity’ for robots is the outcome of a complex loop of representation and social expectation in the context of Japan’s continuing struggle with modernity. Considering Japanese robot culture from the critical perspectives afforded by theatre and performance studies, this book is concerned with representations of robots and their inclusion in social and cultural contexts, which science and engineering studies do not address. The robot as a performing object generates meaning in staged events and situations that make sense for its Japanese observers and participants. This book examines how specific modes of encounter with robots in carefully constructed mises en scène can trigger reflexive, culturally specific, and often ideologically-inflected responses.
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