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Illusions of Empire
Illusions of Empire adopts a multinational view of North American borderlands, examining the ways in which Mexico's North overlapped with the U.S. Southwest in the context of diplomacy, politics, economics, and military operations during the Civil War era. William S. Kiser examines a fascinating series of events in which a disparate group of historical actors vied for power and control along the U.S.-Mexico border: from Union and Confederate generals and presidents, to Indigenous groups, diplomatic officials, bandits, and revolutionaries, to a Mexican president, a Mexican monarch, and a French king. Their unconventional approaches to foreign relations demonstrate the complex ways that indivi...
Collecting Mesoamerican Art before 1940
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international...
Steamships across the Pacific
During the nineteenth century, the transpacific world underwent profound transformation, due to the transition from sail to steam navigation that was accompanied by a concomitant reconfiguration of power. This book explores the ways in which diverse Mexican, British, Chinese, and Japanese interests participated, particularly during Porfirio Díaz’s presidency at the peak of Mexico’s participation in the steam network: from its 1860s outset through a time of many revolutionary changes ending with the World War, the Mexican Revolution, the opening of the Panama Canal, and the introduction of a new maritime technology based on vessels run by oil. These transoceanic exchanges, generated with...
The Last Prince of the Mexican Empire
The Last Prince of the Mexican Empire is a sweeping historical novel of Mexico during the short, tragic, at times surreal, reign of Emperor Maximilian and his court. Even as the American Civil War raged north of the border, a clique of Mexican conservative exiles and clergy convinced Louis Napoleon to invade Mexico and install the Archduke of Austria, Maximilian von Habsburg, as Emperor. A year later, the childless Maximilian took custody of the two year old, half-American, Prince Agustìn de Iturbide y Green, making the toddler the Heir Presumptive. Maximilian’s reluctance to return the child to his distraught parents, even as his empire began to fall, and the Empress Carlota descended into madness, ignited an international scandal. This lush, grand read is based on the true story and illuminates both the cultural roots of Mexico and the political development of the Americas. But it is made all the more captivating by the depth of Mayo’s writing and her understanding of the pressures and influences on these all too human players.
The Last Emperor of Mexico
Mexico, 19th June 1867. Dressed in black and carrying a crucifix, a tall blonde bearded man steps out of his carriage. As he turns to face the firing squad, his last words ring out under the cloudless sky: 'Long live Mexico, long live independence.' The execution of Ferdinand Maximilian is the climax of one of the most extraordinary stories in history. This young Austrian archduke was born into Europe's most illustrious royal family, second in line to the Habsburg throne. Why did he die as the Emperor of Mexico, leaving his wife to descend into madness in a Belgian castle? The answer is a tale of operatic proportions, sweeping across continents from the 1848 European revolutions to the civil...
Visual Culture of the Ancient Americas
In the past fifty years, the study of indigenous and pre-Columbian art has evolved from a groundbreaking area of inquiry in the mid-1960s to an established field of research. This period also spans the career of art historian Esther Pasztory. Few scholars have made such a broad and lasting impact as Pasztory, both in terms of our understanding of specific facets of ancient American art as well as in our appreciation of the evolving analytical tendencies related to the broader field of study as it developed and matured. The essays collected in this volume reflect scholarly rigor and new perspectives on ancient American art and are contributed by many of Pasztory’s former students and collea...
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Maximilian and Carlota
In this new telling of Mexico’s Second Empire and Louis Napoléon’s installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life. From 1861 to 1866, the French incorporated the armies of Austria, Belgium—including forces from Crimea to Egypt—to fight and subdue the regime of Mexico’s Benito Juárez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their...
De laatste keizer van Mexico
Op 19 juni 1867 wordt keizer Ferdinand Maximiliaan door een vuurpeloton ter dood gebracht. Zijn laatste woorden luiden: ‘Lang leve Mexico, lang leve de onafhankelijkheid.’ De executie is de climax van een buitengewoon machtsspel. De Oostenrijkse aartshertog, telg uit het illustere geslacht Habsburg en broer van de Oostenrijkse keizer Frans Jozef, was door Napoleon iii in Mexico op de troon gezet. In plaats van de hem voorgespiegelde heldenontvangst wachtte hem een burgeroorlog waar hij niet tegen opgewassen was. In het drama dat zich ontrolde spelen de wereldleiders van het moment een hoofdrol en blijkt Mexico het beslissende slagveld voor de wereldwijde machtsbalans tussen conservatieven en liberalen, monarchisten en republikeinen, het Oude Europa en de opkomende macht van de Nieuwe Wereld: de Verenigde Staten. In zijn debuut beschrijft Edward Shawcross meeslepend deze vrijwel onbekende tragedie waarvan de gevolgen voelbaar waren tot in de twintigste eeuw.
