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Aimé Césaire
Aimé Césaire is arguably the greatest Caribbean literary writer in history. Best known for his incendiary epic poem Notebook of a Return to My Native Land, Césaire reinvented black culture by conceiving ‘négritude’ as a dynamic and continuous process of self-creation. In this essential new account of his life and work, Jane Hiddleston introduces readers to Césaire’s unique poetic voice and to his role as a figurehead for intellectuals pursuing freedom and equality for black people. Césaire was deeply immersed in the political life of his native Martinique for over fifty years: as Mayor of Fort-de-France and Deputy at the French National Assembly, he called for the liberation of oppressed people at home and abroad, while celebrating black creativity and self-invention to resist a history of racism. Césaire’s extraordinary life reminds us that the much-needed revolt against oppression and subjugation can—and should—come from within the establishment, as well as without.
Sex, Sea, and Self
Sex, Sea, and Self is a timely and original contribution to French Caribbean studies that expands scholarly work on Caribbean thought, which does not start with Aimé Césaire's Négritude or Frantz Fanon's disalienation and the creation of a new humanity, but with overlooked yet pivotal texts written between 1924-1948.
Race, Rights and Reform
Innovative new study mapping African American and Francophone black intellectual collaborations over human rights and citizenship from 1919 to 1963.
Decolonising the Intellectual
This book explores the impossible dilemma facing Francophone intellectuals writing in the lead-up to decolonisation: How could they redefine their culture, and the 'humanity' they felt had been denied by the colonial project, in terms that did not replicate the French thinking by which they were formed?
Of Vagabonds and Fellow Travelers
Of Vagabonds and Fellow Travelers recovers the history of the writers, artists, and intellectuals of the African diaspora who, witnessing a transition to an American-dominated capitalist world-system during the Cold War, offered searing critiques of burgeoning U.S. hegemony. Cedric R. Tolliver traces this history through an analysis of signal events and texts where African diaspora literary culture intersects with the wider cultural Cold War, from the First Congress of Black Writers and Artists organized by Francophone intellectuals in September 1956 to the reverberations among African American writers and activists to the assassination of Patrice Lumumba. Among Tolliver’s subjects are Caribbean writers Jacques Stephen Alexis, George Lamming, and Aimé Césaire, the black press writing of Alice Childress and Langston Hughes, and the ordeal of Paul Robeson, among other topics. The book’s final chapter highlights the international and domestic consequences of the cultural Cold War and discusses their lingering effects on our contemporary critical predicament.
Free and French in the Caribbean
“All the ingredients to become the next important book in the field of postcolonial studies with the emphasis on French Caribbean culture and literature.”—Daniel Desormeaux, University of Chicago In Free and French in the Caribbean, John Patrick Walsh studies the writings of Toussaint Louverture and Aimé Césaire to examine how they conceived of and narrated two defining events in the decolonializing of the French Caribbean: the revolution that freed the French colony of Saint-Domingue in 1803 and the departmentalization of Martinique and other French colonies in 1946. Walsh emphasizes the connections between these events and the distinct legacies of emancipation in the narratives of ...
On Tropical Grounds
On Tropical Grounds develops a new approach to the avant-garde and Surrealism in Caribbean and Atlantic studies. The book examines how islands and their tropical associations figure in the cultural and political imaginaries of the Caribbean and the Atlantic, and identifies genealogies of local responses to continental fantasies of exotic insularity. Examining written and visual works that reflect on the Hispanic and Francophone Caribbean and the Canary Islands, as well as critical debates around discourses of insularity in island and metropolitan spaces, this book considers notions of ethnic purity, originality, imitation, appropriation, cosmopolitanism, and self-exoticism to challenge the i...
Fight Or Flight
The story of the dramatic collapse of the British and French colonial empires in the aftermath of the Second World War - now told for the first time as part of one global process
Cold War Negritude
Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers—René Depestre, Aimé Césaire, and Jacques-Stephen Alexis—whose literary careers and political alignments spanned all three “worlds” of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows ...
Writing the Caribbean in Magazine Time
Writing the Caribbean in Magazine Time examines literary magazines generated during the 1940s that catapulted Caribbean literature into greater international circulation and contributed significantly to social, political, and aesthetic frameworks for decolonization, including Pan-Caribbean discourse. This book demonstrates the material, political, and aesthetic dimensions of Pan-Caribbean literary discourse in magazine texts by Suzanne and Aimé Césaire, Nicolás Guillén, José Lezama Lima, Alejo Carpentier, George Lamming, Derek Walcott and their contemporaries. Although local infrastructure for book production in the insular Caribbean was minimal throughout the twentieth century, books, largely produced abroad, have remained primary objects of inquiry for Caribbean intellectuals. The critical focus on books has obscured the canonical centrality of literary magazines to Caribbean literature, politics, and social theory. Up against the imperial Goliath of the global book industry, Caribbean literary magazines have waged a guerrilla pursuit for the terms of Caribbean representation.
