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The Mixe of Oaxaca
“This elegantly written and thoroughly researched ethnography” is the definitive study of the Mixe people of mountain Oaxaca (Ethnohistory). The Mixe of Oaxaca is the first extensive ethnography of the Mixe, with a special focus on Mixe religious beliefs and rituals and the curing practices associated with them. It records the procedures, design-plan, corresponding prayers, and symbolic context of well over one hundred rituals. First published in 1991, The Mixe of Oaxaca was hailed as a model of ethnographic research. For this edition, Frank Lipp has written a new preface in which he comments on the relationship of Mixe religion to current theoretical understandings of present-day Middle American folk religions.
The Archaeologist was a Spy
Sylvanus G Morley (1883-1948) is widely known as an influential Mayan archaeologist. This intriguing book shows that he was arguably the greatest American spy of World War I. Morley came to the attention of the Office of Naval Intelligence in 1916, when reports that German agents were establishing a Central American base for submarine warfare first surfaced. Morley's field research provided the ideal cover for reconnoitring throughout the region. He made several extended research/intelligence-gathering trips along the Caribbean coast of Central America starting in 1917 and forwarded detailed reports and maps to ONI. While he found no noteworthy German activity, his activities permit the authors of this book to reconstruct the way ONI identified, recruited, placed, and debriefed field agents, nearly 150 of whom, many with academic ties, were funnelling data to ONI by the close of World War I. In a final chapter, Sadler and Harris extend the story of academic participation in intelligence work through the 1930s into the founding of 'Wild Bill' Donovan's Office of Strategic Services (OSS) at the beginning of World War II.
New Methods and Theories for Analyzing Mississippian Imagery
In this volume, contributors show how stylistic and iconographic analyses of Mississippian imagery provide new perspectives on the beliefs, narratives, public ceremonies, ritual regimes, and expressions of power in the communities that created the artwork. Exploring various methodological and theoretical approaches to pre-Columbian visual culture, these essays reconstruct dynamic accounts of Native American history across the U.S. Southeast. These case studies offer innovative examples of how to use style to identify and compare artifacts, how symbols can be interpreted in the absence of writing, and how to situate and historicize Mississippian imagery. They examine designs carved into s...
The Decipherment of Ancient Maya Writing
The Decipherment of Ancient Maya Writing is an important story of intellectual discovery and a tale of code breaking comparable to the interpreting of Egyptian hieroglyphs and the decoding of cuneiform. This book provides a history of the interpretation of Maya hieroglyphs. Introductory essays offer the historical context and describe the personalities and theories of the many authors who contributed to the understanding of these ancient glyphs.
Tatiana Proskouriakoff
Presents a biography of the archeologist and artist, covering her archeological expeditions to study the Mayas.
To Be Like Gods
Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and ...
The New Catalog of Maya Hieroglyphs: The Classic period inscriptions
For hundreds of years, Maya artists and scholars used hieroglyphs to record their history and culture. In the nineteenth and twentieth centuries, archaeologists, photographers, and artists recorded the Maya carvings that remained, often by transporting box cameras and plaster casts through the jungle on muleback. The New Catalog of Maya Hieroglyphs, Volume I: The Classic Period Inscriptions is a guide to all the known hieroglyphic symbols of the Classic Maya script. In the New Catalog Martha J. Macri and Matthew G. Looper have produced a valuable research tool based on the latest Mesoamerican scholarship. An essential resource for all students of Maya texts, the New Catalog is also accessibl...
Mesoamerican Elites
In Mesoamerican Elites, Diane Z. Chase and Arlen F. Chase present a wide variety of essays, all of which evaluate current archaeological knowledge of the privileged ruling classes, or elites, in Mesoamerica. Some experts argue that Mesoamerican societies consisted only of elites and peasants, while others argue that considerable intermediate social levels also existed. In light of such diverse opinions, this volume addresses problems in the interpretation of archaeological evidence regarding ancient Mesoamerican social structure.
Understanding Maya Inscriptions
This second edition includes revised and updated versions of three earlier publications: Understanding Maya Inscriptions: A Hieroglyph Handbook; New and Recent Maya Hieroglyph Readings; and A Resource Bibliography for the Decipherment of Maya Hieroglyphs and New Maya Hieroglyph Readings. This volume is designed to function as a self-teaching tool to help the neophyte, and yet be of value to scholars. It introduces the latest methods of analysis, illustrates techniques for computing Maya calendrics, uses the currently accepted orthography, provides syllabary and syntax, suggests new glyph readings, and presents various interpretations.
