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Grief and Women Writers in the English Renaissance
This book examines the way in which early modern women writers conceived of grief and the relationship between the dead and the living.
Democracy and Anti-Democracy in Early Modern England 1603–1689
Listen to the podcast here. This cross-disciplinary collection of essays examines – for the first time and in detail – the variegated notions of democracy put forward in seventeenth-century England. It thus shows that democracy was widely explored and debated at the time; that anti-democratic currents and themes have a long history; that the seventeenth century is the first period in English history where we nonetheless find positive views of democracy; and that whether early-modern writers criticised or advocated it, these discussions were important for the subsequent development of the concept and practice ‘democracy’. By offering a new historical account of such development, the book provides an innovative exploration of an important but overlooked topic whose relevance is all the more considerable in today’s political debates, civic conversation, academic arguments and media talk. Contributors include Camilla Boisen, Alan Cromartie, Cesare Cuttica, Hannah Dawson, Martin Dzelzainis, Rachel Foxley, Matthew Growhoski, Rachel Hammersley, Peter Lake, Gaby Mahlberg, Markku Peltonen, Edward Vallance, and John West.
Nationalism and Historical Loss in Renaissance England
Andrew Escobedo here seeks to provide a new understanding of the emergence of national consciousness in England, showing that many Renaissance writers articulated their Englishness temporally, through an engagement with a history they perceived as lost or alienated. According to Escobedo, the English experienced nationalism as a form of community that disrupted earlier religious and social identities, making it difficult to link the national present to the medieval past. Furthermore, he argues, the English faced the nation's temporal isolation before the Enlightenment narrative of historical progress emerged as a means to interpret novelty in a positive light. Escobedo examines how John Foxe...
A Search for Meaning
In its exploration of drama, poetry, and prose, this collection of nine essays invites students, teachers, and scholars to rethink their evaluations of Shakespeare, Milton, Sidney, Jonson, and other British writers of the Early Modern period. Using a formalist approach, A Search for Meaning establishes new critical perspectives that are dependent on close readings of the text and current secondary research and which carefully consider reader's reactions.
Milton and the Spiritual Reader
Milton and the Spiritual Reader examines spiritual reading in Areopagitica, Eikonoklastes, De Doctrina Christiana, Paradise Lost, and Paradise Regained, comparing Miltonic spiritual reading with that of two of his Puritan contemporaries, Richard Baxter and George Fox.
Faithful Labourers
A two-volume history of the criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries.
Milton's Angels
Milton's Paradise Lost, the most eloquent, most intellectually daring, most learned, and most sublime poem in the English language, is a poem about angels. It is told by and of angels; it relies upon their conflicts, communications, and miscommunications. They are the creatures of Milton's narrative, through which he sets the Fall of humankind against a cosmic background. Milton's angels are real beings, and the stories he tells about them rely on his understanding of what they were and how they acted. While he was unique in the sublimity of his imaginative rendering of angels, he was not alone in writing about them. Several early-modern English poets wrote epics that explore the actions of ...
The Ethos of Romance at the Turn of the Century
The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siècle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression. Scheick argues that the narrative maneuvers of ethical romance dissolve the boundary between fiction and fact. In contrast to eventuary romances, which offer easily consumed entertainment, or aesthetic romances, which urge ...
The New Milton Criticism
A collection of new essays demonstrating a wholly new approach to the complexities of Milton's work.
Inherit the Holy Mountain
Inherit the Holy Mountain puts religion at the center of the history of American environmentalism rather than at its margins, demonstrating how religion provided environmentalists with content, direction, and tone for the environmental causes they espoused.
