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The Kunsthalle Bern Model
  • Language: en
  • Pages: 360

The Kunsthalle Bern Model

  • Type: Book
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  • Published: 2018-09-25
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  • Publisher: Jrp Ringier

This publication gathers together 18 essays about the Kunsthalle Bern as a role model and a place for artistic intervention and production, elaborating the examinations to which numerous international artists have subjected the building itself.

Maria Eichhorn
  • Language: en
  • Pages: 61

Maria Eichhorn

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

Glasgow Kunsthalle Bern
  • Language: de
  • Pages: 95

Glasgow Kunsthalle Bern

  • Type: Book
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  • Published: 1997-01-01
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  • Publisher: Unknown

None

Thomas Schütte
  • Language: de
  • Pages: 162

Thomas Schütte

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

Reflected images
  • Language: de
  • Pages: 62

Reflected images

  • Categories: Art
  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

10 Jahre Stiftung Kunsthalle Bern
  • Language: de
  • Pages: 66

10 Jahre Stiftung Kunsthalle Bern

  • Type: Book
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  • Published: 1997
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  • Publisher: Kunsthalle

None

Kasimir Malewitsch, 1878-1935
  • Language: de
  • Pages: 58

Kasimir Malewitsch, 1878-1935

  • Type: Book
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  • Published: 1959
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  • Publisher: Unknown

None

Exhibitions, 1939-1952
  • Language: de
  • Pages: 414

Exhibitions, 1939-1952

  • Type: Book
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  • Published: 1939
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  • Publisher: Unknown

None

Luc Tuymans
  • Language: de
  • Pages: 67

Luc Tuymans

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Gerwald Rockenschaub: Swing
  • Language: en

Gerwald Rockenschaub: Swing

With Gerwald Rockenschaub, Kunsthalle Bern is putting into the spotlight a pioneer of the crossover of pop, design and club culture who has revolutionised traditional concepts of art. In this book, Gerwald Rockenschaub introduces the reader to his works created since 2005. He presents 33 installations in chronological order: shows in galleries, museums, and fair booths, but also digital prints. Rockenschaub's early works all represent half-abstract, peculiarly humorous shapes and objects that are reminiscent of pictograms, though neither legible nor interpretable; an alphabet devoid of semantic meaning and with strongly associative content. Since the early 1990s, he has been exhibiting large...