You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An attractive invitation to visit Kunsthaus Zürich, Switzerland's largest art museum, and the new exhibits of its permanent collection. In October 2021, David Chipperfield's new extension of the Kunsthaus Zürich will open for the public. The new wing doubles the museum's space for art display. Perhaps more importantly, it offers the opportunity to present larger parts of the museum's permanent collection in a new light and in new groupings. The Chipperfield building is now home to the renowned Merzbacher, Hubert Looser, and Emil Bührle Collections, all on permanent loan to the museum. The formidable selection of French impressionist paintings in the Emil Bührle Collection combined with K...
Much of modern architecture has been conceived using glass to create minimal structures. This book begins with an introduction that traces the history of glass in architecture and also describes the developments in glass technology. It also features specially commissioned photographs by the renowned architectural photographer, Dennis Gilbert.
For many years, as the Merzbacher Collection grew, it remained a well-guarded secret--lent generously but anonymously to museums, so that only a few curators understood its importance. In October 1998, it made its debut in The Joy of Color at Jerusalem's Israel Museum, and proved to be one of the most successful exhibits ever hosted there, drawing some 250,000 people. Since then the Switzerland-based Merzbacher Collection has also shown in London, and the New York Times has called it "one of the world-s finest private holdings of modern art." This book of its treasures spans more than 100 years of art-historical development and an abundance of movements, and includes work from Max Beckmann, Vincent Van Gogh, Paul Cezanne, Wassily Kandinsky, Paul Klee, Ernst Ludwig Kirchner, Emil Nolde and Henri Matisse.
Transparency and luminescence have reemerged in the vocabulary of architecture, and light and "lightness" have become key concepts for a significant number of contemporary architects, as well as artists who create installations. Recent work by these designers recalls the use of transparent materials in early modern structures, but they have introduced new ideas and technical solutions. In doing so, they have redefined the relationship between the observer and the structure by interposing elements that both veil and illuminate. In this architecture of lightness, buildings become intangible, structures shed their weight and facades become unstable, dissolving into an often luminous evanescence...
This audio guide details over 30 masterpieces at the Kunsthaus Zürich, including paintings from the Golden Age of the Netherlands, the Italian Baroque and eighteenth-century Venice. Focal points include Swiss masters such as Fuseli, Böcklin and Giacometti, plus Manet and Picasso and later works by Twombly and Baselitz.
Departing from the simple question Why do we heat and cool buildings with air?, this book focuses on the technique of thermally active surfaces. This technique uses water in building surfaces to heat and cool bodies - a method that is at once more efficient, comfortable, and healthy. This technique thus imbues the fabric of the building with a more poignant role: its structure is also its primary heating and cooling system. In doing so, this approach triggers a cascading set of possibilities for how well buildings are built, how well they perform, and how long they will last: pointing the way toward multiple forms of sustainability. The first section of the book contrasts the parallel histor...
Anish Kapoor is one of the most influential sculptors of his generation. Kapoor sees his work as being engaged with deep-rooted metaphysical polarities: presence and absence, being and non-being, place and non-place, the solid and the intangible. Throughout Kapoor's sculptures his fascination with darkness and light is apparent; the translucent quality of the resin works, the absorbent nature of the pigment, the radiant glow of alabaster, and the fluid reflections of stainless steel and water. Through this interplay between form and light, Kapoor aspires to evoke sublime experiences, which address primal physical and psychological states. My Red Homeland presents a welcome retrospective view of Kapoor's work since the early 90s.
Cities across the world have been resorting to star architects to brand their projects, spark urban regeneration and market the city image internationally. This book shifts the attention from star architects to star architecture, arguing that the process of deciding about and implementing relevant architectural and urban projects is not the product of any single actor. Star architecture can, in fact, be better studied and understood as assembled by multiple actors and in its relationship with urban transformation. In its 18 chapters, the book presents a multidisciplinary collection of expert contributions in the fields of urban planning, architecture, media studies, urban economics, geography, and sociology, consistently brought together for the first time to deal with this topic. Through a vast array of case studies and analytical techniques touching over 20 cities in Europe, the book shows the positive and more problematic impacts of star architecture with reference to the preservation of built heritage, tourism and media. The book will be of interest to architects, sociologists, urban planners, and public administrators.
Publicatie n.a.v. de conferentie gehouden op 1 april 2006 op de faculteit Bouwkunde van de TU Delft over de huidige en toekomstige veranderingen rond de digitaal ontworpen architectuur- en designpraktijk.
The completion of David Chipperfield's distinctive new building for Kunsthaus Zürich, one of Europe's leading art museums, in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this addition has made Kunsthaus Zürich fit to meet the demands of an art museum in the twenty-first century. A sequel to The Architectural History of the Kunsthaus Zürich 1910-2020, this book comprehensively introduces the new Kunsthaus Zürich, demonstrating how the task of building an art museum in the twenty-first century can be fulfilled. Concise texts, statements by key players in the museum's development and future use, and ...