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The 19th-century German architect and artist, Karl Friedrich Schinkel, was among the great personalities in the world of architecture. Classicism and Romanticism moved towards Modern Architecture in his buildings; his Collection of Architectural Designs led the way to our contemporary understanding of the work of the architect; and as a state master building he shaped the architectural culture of his time. A universal scholar and versatile artist, Schinkel led an intensive, if not boundless exchange with the society and the developments of the 19th century. The (equally) ingenious portrayal by one of the most renowned art and architectural historians of our time displays in richly illustrated thematic chapters the dialogue between Schinkel as a person, his oeuvre and his cultural world.
The London architectural firm Wilkinson Eyre Architects, founded in 1983, has been drawing attention since the 1990s with its wealth of innovative and imaginative designs - notably its spectacular and structurally ambitious bridges. The best-known and most highly acclaimed are the Gateshead Millennium Bridge (2001) and the Floral Street Bridge (2003). The firm has won many prizes, including the RIBA Stirling Prize twice. It has also demonstrated the increasingly international scope of its activities by entering the competitions for the Guangzhou West Tower in China and the Tensegrity Bridge in Washington DC, USA. This book offers detailed documentation of some 15 structures and projects, with special attention paid to the context of each design. The projects presented include the Stirling Prize-winning Magna Centre in Rotherham, UK; the National Waterfront Museum in Swansea, UK; the Guangzhou West Tower in China; and the Gatwick Airbridge, UK, among others.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
The most comprehensive monograph of the world-famous architect Frank Gehry (b.1929) Revised and expanded to include his most recent projects including the New York residential tower (2011) Detailed presentation of approximately 250 buildings and projects from North America and Europe Features all Gehry's best-known projects including the Bilbao Guggenheim Museum (1997), the Walt Disney Concert Hall in Los Angeles (2003) and the Experience Music Project in Seattle (2000) Includes essays by renowned critics Francesco Dal Co and Kurt W Forster
"With backgrounds in theater, film, and industrial design, Craig Hodgetts and Hsin-Ming Fung, the principals of this award-winning Los Angeles-based firm, celebrate architecture's theatricality and the visual, media-oriented culture of Southern California. Hodgetts + Fung's brightly colored, rigorously structured buildings and installations brilliantly integrate computer and multimedia systems, natural lighting, and eclectic materials such as tinted plaster, aluminum siding, and sheet metal. The firm has designed a wide range of projects, including a widely praised temporary library at UCLA; a historic theater renovation in Hollywood; offices for film and talent companies in Los Angeles; Los...
With the recent triumph in Bilbao, Frank Gehry became one of the two or three living architects whose names are known outside the field. Within architecture and the arts, however, Gehry has longstanding and tremendous respect, and this conversation with the architectural historian and Getty Center Founding Director, Kurt W. Foster, testifies to the ways in which Gehry's concepts continue to invigorate not just the language of architecture, but the arts in general. The implicit sculpture of Gehry's work reveals a communion between artistic disciplines, and he has collaborated with the likes of Serra, Kelley, and Koons. This book furthers that open dialogue - which Gehry clearly views as essential - between the arts.
Between the 17th and 18th centuries, the architecture of Andrea Palladio became a model that would be imitated in the execution of public and private buildings in Northern Europe and in America.
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Architect, designer, and architectural critic, Nelson was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that introduced buildings and personalities from across the Atlantic to wider American audiences. This book presents this important collection of writings.