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Chinese Brushwork in Calligraphy and Painting
  • Language: en
  • Pages: 224

Chinese Brushwork in Calligraphy and Painting

  • Categories: Art

Comprehensive volume traces historical development of techniques and styles evolved by Chinese masters since the 14th century, analyzes aesthetic concepts, and provides information on materials, technical principles, and brush strokes.

A Canon of Our Own
  • Language: en
  • Pages: 200

A Canon of Our Own

  • Type: Book
  • -
  • Published: Unknown
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  • Publisher: Lulu.com

None

Chinese Calligraphy
  • Language: en
  • Pages: 301

Chinese Calligraphy

  • Categories: Art

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied.

Fables of La Fontaine
  • Language: en
  • Pages: 84

Fables of La Fontaine

  • Categories: Art

A heavily illustrated reprint of a 1927 edition of La Fontaine's fables contains the original French verses and new English translations of such tales as "The Crow and the Fox" and "The Heron."

Catalog of Copyright Entries, Third Series
  • Language: en
  • Pages: 812

Catalog of Copyright Entries, Third Series

  • Type: Book
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  • Published: 1958
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  • Publisher: Unknown

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

The Shining Inheritance
  • Language: en
  • Pages: 196

The Shining Inheritance

  • Categories: Art

During Qing dynasty China, Italian artists were hired through Jesuit missionaries by the imperial workshops in Beijing. In The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812, Marco Musillo considers the professional adaptations and pictorial modifications to Chinese traditions that allowed three of these Italian painters — Giovanni Gherardini (1655– ca. 1729), Giuseppe Castiglione (1688–1766), and Giuseppe Panzi (1734–1812) — to work within the Chinese cultural sphere from 1699, when Gherardini arrived in China, to 1812, the year of Panzi’s death. Musillo focuses especially on the long career and influence of Castiglione (whose Chinese name was Lang Shining)...

Decisionscape
  • Language: en
  • Pages: 289

Decisionscape

  • Type: Book
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  • Published: 2024-03-19
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  • Publisher: MIT Press

How thinking like an artist can improve our decision making and provide the perspective necessary to make better choices. Why are so many of our decisions regrettable, and what can we do about it? Decisionscape maps the surprising ways that our decisions are influenced and how thinking like an artist can help us deliberately arrange our perspective to make better choices. Introducing the concept of a “decisionscape,” Elspeth Kirkman blends art and science with insights from moral philosophy, sports, geopolitics, and elsewhere to explore decision making in a refreshingly original way. A broadly appealing and relatable book, Decisionscape asks us to confront the prejudices, blind spots, an...

Works of Art
  • Language: en
  • Pages: 604

Works of Art

  • Categories: Art
  • Type: Book
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  • Published: 1958
  • -
  • Publisher: Unknown

None

Chinese Brush Painting
  • Language: en
  • Pages: 145

Chinese Brush Painting

  • Categories: Art

"How-to" manual provides all levels of students with detailed methods for painting such simple subjects as bamboo and plum blossoms as well as more ambitious motifs. 150 illustrations, including 82 in full color.

Philosophy and the Visual Arts
  • Language: en
  • Pages: 366

Philosophy and the Visual Arts

This volume consists of papers given to the Royal Institute of Philos ophy Conference on 'Philosophy and the Visual Arts: Seeing and Abstracting' given at the University of Bristol in September 1985. The contributors here come about equally from the disciplines of Philosophy and Art History and for that reason the Conference was hosted jointly by the Bristol University Departments of Philosophy and History of Art. Other conferences sponsored by the Royal Institute of Philosophy have been concerned with links between Philosophy and related disciplines, but here, with the generous support of South West Arts and with the enthusiastic co-operation of the staff of the Arnolfini Gallery in Bristol...